Rejected Addresses; Or, The New Theatrum PoetarumSmith, James
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Rejected Addresses; Or, The New Theatrum Poetarum
Smith, James
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This was discouraging enough. If the most experienced publishers feared
to be out of pocket by the work, it was manifest, _à fortiori_, that its
writers ran a risk of being still more heavy losers, should they
undertake the publication on their own account. We had no objection to
raise a laugh at the expense of others; but to do it at our own cost,
uncertain as we were to what extent we might be involved, had never
entered into our contemplation. In this dilemma, our _Addresses_, now in
every sense rejected, might probably have never seen the light, had not
some good angel whispered us to betake ourselves to Mr. John Miller, a
dramatic publisher, then residing in Bow Street, Covent Garden. No
sooner had this gentleman looked over our manuscript, than he immediately
offered to take upon himself all the risk of publication, and to give us
half the profits, _should there be any_; a liberal proposition, with
which we gladly closed. So rapid and decided was its success, at which
none were more unfeignedly astonished than its authors, that Mr. Miller
advised us to collect some _Imitations of Horace_, which had appeared
anonymously in the _Monthly Mirror_, {0f} offering to publish them upon
the same terms. We did so accordingly; and as new editions of the
_Rejected Addresses_ were called for in quick succession, we were shortly
enabled to sell our half copyright in the two works to Mr. Miller for one
thousand pounds! We have entered into this unimportant detail, not to
gratify any vanity of our own, but to encourage such literary beginners
as may be placed in similar circumstances; as well as to impress upon
publishers the propriety of giving more consideration to the possible
merit of the works submitted to them, than to the mere magic of a name.
Public-domain text, read in full here on John Shaqi.
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