[Footnote 1222: To come forth.--Ver. 250. See the Amores, Book i. El. viii. 1. 17, 18, and the Note. This achievement is similar to that performed by the witch of Endor, if, indeed, she did not impose on the unhappy Saul, and tell him that the spirit of Samuel appeared, when that really was not the case.] [Footnote 1223: Tiberinus.--Ver. 257. See the Fasti, Book ii. L 389, and the Note. Also Book iv. 1. 47; the Ibis, 1. 516; and the Metamorphoses, Book xiv. 1. 614.] [Footnote 1224: Virgin sulphur.--Ver. 260. See the Art of Love, Book ii. 1. 329, and the Note.] [Footnote 1225: Neritos.--Ver; 264. This island formed part of the realms of Ulysses.] [Footnote 1226: Dulichian chief.--Ver. 272. Dulichian was one of the Echinades, a group of islands on the western side of the Peloponnesus, and was subject to Ulysses. See the Metamorphoses, Book viii. 1. 590, and the Note.] [Footnote 1227: Put up for sale.--Ver. 302. Through her extravagance.] [Footnote 1228: Some hawker.--Ver. 306. See the Art of Love, Book i. 1. 421, and the Note. Being mostly liberated slaves, the 'institores' were looked upon with great contempt by the Romans.] [Footnote 1229: Podaurius.--Ver. 313. See the Art of Love, Book ii. 1. 735, and the Note.] [Footnote 1230: Confounding one for the other.--Ver. 323. 'Errore sub illo.' Literally, 'under that mistake.'] [Footnote 1231: Move her hands.--Ver. 334 He alludes to the gestures used in dancing.] [Footnote 1232: Stomacher.--Ver. 338. See the Art of Love, Book iii. 1. 374, and the Note.] [Footnote 1233: This Ægis--Ver. 346. See the Fasti, Book iii. 1. 848, and the Note; also the Metamorphoses, Book iv. 1. 798.] [Footnote 1234: Of the fleece.--Ver. 354. See the Art of Love, Book iii. 1. 213, and the Note. Surely Swift must have borrowed his notion of describing Chloe's dressing-room from these passages. See the Art of Love, Book i. 1. 339, and the Note.] [Footnote 1235: Smell like thy tables.--Ver. 355. He alludes to the defilement of the tables of Phineus by the filthy Harpies.] [Footnote 1236: From him, Zoilus.--Ver. 366. It was unknown of what parentage and country Zoilus was. He compiled a work in dispraise of Homer, and was called by the ancients, 'Horaeromastix,' 'the scourge of Homer.' Zoilus was ultimately accused of parricide, and crucified.] [Footnote 1237: Mangled thy poems.--Ver. 367. He alludes to Virgil, who, he says, had his censurers as well. Carvilius Picto wrote a satire against the Æneid, called Æneidomastix.] [Footnote 1238: Proper numbers.--Ver. 372. He adroitly avows the essence of the charge, by defending the Elegiac measure, in which he had written, and which could not be the object of any censures. He does not say a word in defence of the subject matter, which had incurred these remarks.]