Remedia Amoris; or, The Remedy of Love: Literally Translated into English Prose, with Copious Notes — John Shaqi
Remedia Amoris; or, The Remedy of Love: Literally Translated into English Prose, with Copious NotesOvid
General
Remedia Amoris; or, The Remedy of Love: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
[Footnote 1239: The sock of Comedy.--Ver. 376. The 'soccus' was a low
shoe, which did not fit closely, and had no tie. These shoes were worn
among the Greeks by both men and women. The 'soccus' was worn by comic
actors, and was in this respect opposed to the 'cothurnus,' or 'buskin,'
of Tragedy.]
[Footnote 1240: Drag on its foot.--Ver. 378. He alludes first to a
genuine lambic line, ending with an Iambus, and then to a Scazonic line,
so called from the Greek word, 'limping,' which was a kind of bastard
Iambic line, having a Trochee (or foot of a long and a short syllable)
in the last place, instead of an Iambus. Scazonic lines were much used
in satirical composition.]
[Footnote 1241: Cydippe--Ver. 382. Callimachus wrote a poem on the loves
of Acontius and Cydippe. See Epistles xx and xxi.]
[Footnote 1242: Andromache.--Ver. 383. She was a heroine of Tragedy,
while Thais, the courtesan, figured in the Eunuchus, a Comedy of
Terence.]
[Footnote 1243: Noble Epic.--Ver. 396. 'Epos'seems preferable here to
'opus,' the common reading. * Disgust.--Ver. 432. This passage and that
in 1. 437, are necessarily somewhat modified.]
[Footnote 1244: Procris. J--Ver. 453. See the Translation of the
Metamorphoses, p 262.]
[Footnote 1245: Wife from Ida.'--Ver. 454. He refers to Clytemnestra
being supplanted by Cassandra.]
[Footnote 1246: The brother of.--Ver. 455 Alcmæon was married to
Alphesibea, the daughter of Phegeus, and deserted her for Calirrhoë, the
daughter of the river Achelous.]
[Footnote 1247: Odrysian.--Ver. 459. He here alludes to the story of
Tereus and Progne.]
[Footnote 1248: Than she who.--Ver. 464. 'Quæ' seems to be a preferable
reading to 'cui though in either case the sense is the same. Ovid had
probably the instance of Niobe in his mind, when he wrote this passage.
See the Metamorphoses, B. vi. 1. 297.]
[Footnote 1249: Had ordered.--Ver. 473. See the Introduction to the
Epistle of Briseis to Achilles.]
[Footnote 1250: If the first syllable.--Ver. 476. Ovid, with his
propensity for playing upon words, remarks upon the similarity of the
names, Chryseis and Seis; the one being the daughter of Chryses, and the
other of Briser.]
[Footnote 1251: Appear asleep.--Ver. 499. See the Amores, B. ii. El. v.
1. 13.]
[Footnote 1252: And let not this.--Ver. 513. The reading of this line
and the next is probably corrupt. Burmann suggests that 'propositus'
should lie substituted for 'propositis,' and that the stop should
be removed from the end of 'amàndi,' and a semicolon placed after
'propositus.' In that case, the meaning would be, 'You must, however,
act the deceiver to yourself, and must not make any determination to
cease altogether from loving her; lest, as the horse struggles against
the rein, your affection should rebel against such a determination.']
[Footnote 1253: Collinian.--Ver. 549. See the Fasti, B. iv. 1. 8'2, and
the Note.]
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