Authors, American -- 19th century -- Biography; Feminists -- United States -- Biography; Howe, Julia Ward, 1819-1910
I remember moments in which the enlargement of my horizon of thought and
of faith became strongly sensible to me, in the quiet of my reading, in
my own room. A certain essay in the "Wandsbecker Bote" of Matthias
Claudius ends thus: "And is he not also the God of the Japanese?"
Foolish as it may appear, it had never struck me before that the God
whom I had been taught to worship was the God of any peoples outside the
limits of Judaism and Christendom. The suggestion shocked me at first,
but, later on, gave me much satisfaction. Another such moment I recall
when, having carefully read "Paradise Lost" to the very end, I saw
presented before me the picture of an eternal evil, of Satan and his
ministers subjugated indeed by God, but not conquered, and able to
maintain against Him an opposition as eternal as his goodness. This
appeared to me impossible, and I threw away, once and forever, the
thought of the terrible hell which till then had always formed part of
my belief. In its place, I cherished the persuasion that the victory of
goodness must consist in making everything good, and that Satan himself
could have no shield strong enough to resist permanently the divine
power of the divine spirit.
This was a great emancipation for me, and I soon welcomed with joy every
evidence in literature which tended to show that religion has never been
confined to the experience of a particular race or nation, but has shown
itself at all times, and under every variety of form, as a seeking for
the divine and a reverence for the things unseen.
So much for study!
CHAPTER VI
SAMUEL WARD AND THE ASTORS
My first peep at the great world in grown-up days was at a dinner party
given by a daughter of General Armstrong, married to the eldest son of
the first John Jacob Astor. Mrs. Astor was a person of very elegant
taste. She had received a part of her education in Paris, at the time
when her father represented our government at the Court of France. Her
notions of propriety in dress were very strict. According to these,
jewels were not to be worn in the daytime. Glaring colors and striking
contrasts were to be avoided. Much that is in favor to-day would have
been ruled out by her as inadmissible. At the dinner of which I speak
the ladies were in evening dress, which in those days did not transcend
modest limits. One very pretty married lady wore a white turban, which
was much admired. Another lady was adorned with a coronet of fine stone
cameos,--which has recently been presented to the Boston Art Museum by a
surviving member of her family.
Public-domain text, read in full here on John Shaqi.
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