Renaissance Fancies and Studies: Being a Sequel to EuphorionLee, Vernon
History
Renaissance Fancies and Studies: Being a Sequel to Euphorion
Lee, Vernon
Art, Italian; Art, Renaissance -- Italy
The mixture of races and civilisations, southern and northern and
eastern, antique and barbarian, which had been slowly taking place ever
since the fall of the Roman Empire, had seemed, in its consummation of
the twelfth century, less fertile on the whole than poisonous. The old
tribal system, the old civic system, triumphant centralising imperialism,
had all been broken up long since; and now feudalism was going to pieces
in its turn, leaving a chaos of filibustering princelets, among whom
loomed the equivocal figures of Provençal counts, of Angevin and Swabian
kings, brutal as men of the North, and lax as men of the South; moreover,
suspiciously oriental; brilliant and cynical persons, eventually to be
typified in Frederick II., who was judiciously suspected of being
Antichrist in person. In the midst of this anarchy, over-rapid industrial
development had moreover begotten the tendencies to promiscuity, to
mystical communism, always expressive of deep popular misery. The Holy
Land had become a freebooter's Eldorado; the defenders of Christ's
sepulchre were turned half-Saracen, infected with unclean mixtures of
creeds. Theology was divided between neo-Aristotelean logic, abstract
and arid, and Alexandrian esoteric mysticism, quietistic, nay, nihilistic;
and the Church had ceased to answer to any spiritual wants of the people.
Meanwhile, on all sides everywhere, heresies were teeming, austere and
equivocal, pure and unclean according to individuals, but all of them
anarchical, and therefore destructive at a moment when, above all, order
and discipline were wanted. The belief in the world's end, in the speedy
coming of Antichrist and the Messiah, was rife among all sects; and
learned men, the disciples of Joachim of Flora, were busy calculating
the very year and month. Lombardy, and most probably the south of France,
Flanders and the Rhine towns, were full of strange Manichean theosophies,
pessimistic dualism of God and devil, in which God always got the worst
of it, when God did not happen to be the devil himself. The ravening
lions, the clawing, tearing griffins, the nightmare brood carved on the
capitals, porches, and pulpits of pre-Franciscan churches, are surely
not, as orthodox antiquarians assure us, mere fanciful symbols of the
Church's vigilance and virtues: they express too well the far-spread
occult Manichean spirit, the belief in a triumphant power of evil.
Public-domain text, read in full here on John Shaqi.
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