Renaissance Fancies and Studies: Being a Sequel to Euphorion — John Shaqi
Renaissance Fancies and Studies: Being a Sequel to EuphorionLee, Vernon
History
Renaissance Fancies and Studies: Being a Sequel to Euphorion
Lee, Vernon
Art, Italian; Art, Renaissance -- Italy
Michelet, I think, has remarked that there was a moment in the early
Middle Ages when, in the mixture of all contrary things, in the very
excess of spiritual movement, there seemed a possibility of dead level,
of stagnation, of the peoples of Europe becoming perhaps bastard
Saracens, as in Merovingian times they had become bastard Romans; a
chance of Byzantinism in the West. Be this as it may, it seems certain
that, towards the end of the twelfth century, men's souls were shaken,
crumbling, and what was worse, excessively arid. There was as little
certainty of salvation as in the heart of that Priest saying Mass at
Bolsena; but the miracle came to mankind at large some seventy years
before it came to him. It had begun, no doubt, unnoticed in scores
of obscure heresies, in hundreds of unnoticed individuals; it became
manifest to all the world in the persons of Dominick, of Elizabeth of
Hungary, of King Lewis--above all, of Francis of Assisi. As in the
hands of the doubting priest, so in the hands of all suffering mankind,
the mystic wafer broke, proving itself true food for the soul: the
life-blood of hope and love welled forth and fertilised the world. For
the second time, and in far more humble and efficacious way, Christ had
been given to man.
To absorb the Eternal Love, to feed on the Life of the World, to make
oneself consubstantial therewith, these passionate joys of poor mediæval
humanity are such as we should contemplate with sympathy only and respect,
even when the miracle is conceived and felt in the grossest, least
spiritual manner. That act of material assimilation, that feeding off
the very Godhead in most literal manner, as described in the hymn to
the Most Holy Sacrament, was symbolic of the return from exile of the
long-persecuted instincts of mankind. It meant that, spiritually or
grossly, each according to his nature, men had cast fear behind them,
and--O res mirabilis!--grown proud once more to love.
Public-domain text, read in full here on John Shaqi.
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