Renaissance in Italy, Volume 2 (of 7): The Revival of Learning — John Shaqi
Renaissance in Italy, Volume 2 (of 7): The Revival of LearningSymonds, John Addington
History
Renaissance in Italy, Volume 2 (of 7): The Revival of Learning
Symonds, John Addington
Humanism; Renaissance -- Italy
For the History of the Revival of Learning I have had continual
recourse to Tiraboschi's 'Storia della Letteratura Italiana.' That
work is still the basis of all researches bearing on the subject. I
owe besides particular obligations to Vespasiano's 'Vite di Uomini
Illustri,' to Comparetti's 'Virgilio nel Medio Evo,' to Rosmini's
'Vita di Filelfo,' 'Vita di Vittorino da Feltre,' and 'Vita di Guarino
da Verona,' to Shepherd's 'Life of Poggio Bracciolini,' to
Dennistoun's 'Dukes of Urbino,' to Schultze's 'Gemistos Plethon,' to
Didot's 'Alde Manuce,' to Von Reumont's 'Lorenzo de' Medici,' to
Burckhardt's 'Cultur der Renaissance in Italien,' to Voigt's
'Wiederbelebung des classischen Alterthums,' and to Gregorovius's
'Geschichte der Stadt Rom.' To Voigt and Burckhardt, having perforce
traversed the same ground that they have done, I feel that I have been
in a special sense indebted. At the same time I have made it my
invariable practice, as the notes to this volume will show, to found
my own opinions on the study of original sources. To mention in
detail all the editions of the works of humanists and scholars I have
consulted, would be superfluous.
To me it has been a labour of love to record even the bare names of
those Italian worthies who recovered for us in the fourteenth and
fifteenth centuries 'the everlasting consolations' of the Greek and
Latin classics. The thought that I was tracing the history of an
achievement fruitful of the weightiest results for modern civilisation
has sustained me in a task that has been sometimes tedious. The
collective greatness of the Revival has reconciled my mind to many
trivialities of detail. The prosaic minutiæ of obscure biographies and
long-forgotten literary labours have been glorified by what appears to
me the poetry and the romance of the whole theme. It lies not in my
province or my power to offer my readers any adequate apology for such
defects as my own want of skill in exposition, or the difficulty of
transfiguring with vital light and heat a subject so remote from
present interests, may have occasioned. I must leave this volume in
their hands, hoping that some at least may be animated by the same
feeling of gratitude toward those past workers in the field of
learning which has supported me.
CLIFTON: _March 1877_.
CONTENTS
CHAPTER I
THE MEN OF THE RENAISSANCE
PAGE
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