Renaissance in Italy, Volume 2 (of 7): The Revival of Learning — John Shaqi
Renaissance in Italy, Volume 2 (of 7): The Revival of LearningSymonds, John Addington
History
Renaissance in Italy, Volume 2 (of 7): The Revival of Learning
Symonds, John Addington
Humanism; Renaissance -- Italy
Under these conditions a genuine cultus of intellect sprang up in
Italy. Princes and people shared a common impulse to worship the
mental superiority of men who had no claim to notice but their
genius. It was in the spirit of this hero-worship that the terrible
Gismondo Pandolfo Malatesta transferred to Rimini the bones of Pletho,
and wrote his impassioned epitaph upon the sarcophagus outside
Alberti's church. The biographies of the humanists abound in stories
of singular honours paid to men of parts, not only by princes who
rejoiced in their society, but also by cities receiving them with
public acclamation. And, as it often happens that a parody reveals the
nature of the art it travesties, such light is thrown upon our subject
by the vile Pietro Aretino, who, because he was a man of talent and
unscrupulous in its employment, held kings and potentates beneath his
satyr's hoof. It is not, however, needful to go thus far afield for
instances. Some lines of our own poet Webster exactly describe the
Catholicity of the Renaissance, which first obtained in Italy for men
of marked abilities, and afterwards to some extent prevailed at large
in Europe:--
Virtue is ever sowing of her seeds:
In the trenches for the soldier; in the wakeful study
For the scholar; in the furrows of the sea
For men of our profession: of all which
Arise and spring up honour.
The virtue here described bears the Italian sense of _virtù_, the
Latin _virtus_, the Greek [Greek: aretê], that which makes a man. It
might display itself in a thousand ways; but all alike brought honour,
and honour every man was bound to seek. The standard whereby the
Italians judged this virtue was æsthetical rather than moral. They
were too dazzled by brilliant achievement to test it in the crucible
of ethics. This is the true key to Machiavelli's critique of
Castruccio Castracane, Gianpaolo Baglioni, Cesare Borgia, and Piero
Soderini. In common with his race, he was fascinated by character, and
attached undue importance to the force that made men seek success even
through crime.
Public-domain text, read in full here on John Shaqi.
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