Representative Plays by American Dramatists: 1856-1911: Love in '76: An Incident of the RevolutionBunce, Oliver Bell
History
Representative Plays by American Dramatists: 1856-1911: Love in '76: An Incident of the Revolution
Bunce, Oliver Bell
American drama -- 19th century; United States -- History -- Revolution, 1775-1783 -- Drama
CLEVELAND. Pest on't, I love the wench. I thought, if married to
Arbald, and frequently near me, my suit might flourish. But the
cunning vixen caught me in my own trap. If I could only trip her now;
let me see--let me see.
_Enter_ ARBALD.
CLEVELAND. Ah, Arbald, come hither. How flourishes your suit with Miss
Elsworth?
ARBALD. Badly, I must confess.
CLEVELAND. Unless we prevent it she will be married to this Armstrong
before morning.
ARBALD. Is it possible?
CLEVELAND. I have my own reasons for desiring to break up the match
between them--to prevent their marriage. Nothing occurs to me at all
feasible to that end, but some plan to get introduced into Armstrong's
presence a woman disguised as Rose.
ARBALD. And marry them?
CLEVELAND. Ay. Armstrong is on the alert for some scheme to rescue
him--would fall into such a net as fishes do--and think it was his
mistress' cunning to serve him.
ARBALD. But where is the woman?
CLEVELAND. Rose has a girl in attendance upon her who is near her size
and figure--a mischievous wench, or I am no judge of physiognomies.
METCALF. [_Who has been listening, aside_.] Oho! [_Exits hurriedly and
secretly._
ARBALD. Bridget, they call her.
CLEVELAND. Send her to me. Fifty pounds will be more than her fidelity
can stand. Luckily we have the Chaplain with us. Have him ready.
ARBALD. I'll hunt Bridget up at once.
[_Exit_ ARBALD.
CLEVELAND. The plan is a good one. Now, Lady Wit, those who win may
laugh. But I was a blind fool ever to allow her to obtain that promise
from me.
_Enter_ METCALF.
METCALF. Hist! Major Cleveland.
CLEVELAND. Well, good fellow.
METCALF. [_Aside_.] Fellow! It is remarkable now that I, who daily
make a score of urchins tremble in their shoes at the frown of my
portentous brow, can't in the least make these people afraid of me.
Let me see what effect one of my frightfully severe looks would have.
[_Walks up to him_.
CLEVELAND. Well, sir, have you any business with me?
METCALF. No, no, sir. [_Aside_.] I suppose my urchins feel as I do
now. [_Aloud._] I've got an idea, sir, about the Captain.
CLEVELAND. Well, what idea?
METCALF. [_Aside_.] Here comes Rose--the very image of Bridget--all
I wanted was to give her time. [_Aloud_.] An idea--[_Aside_.] to trap
you with sword, coat, and all--
CLEVELAND. There she is--begone, fellow--you intrude upon me.
_Enter_ ROSE, _disguised as_ BRIDGET.
ROSE. [_Curtseying_.] Your Honour sent for me.
METCALF. Ha! ha! ha! Trap to catch foxes--ho! ho! ho!
[_Exit_.
CLEVELAND. You look a lively, quick-witted lass.
ROSE. [_Aside_.] Now for the airs of your true lady's lady.
CLEVELAND. Do you know how to keep a silent tongue?
ROSE. Bless us! Haven't I always been in practice? Ain't I mum to what
all the fine gentlemen say about the bouquets, the presents, the love
notes--
CLEVELAND. How would you like to make twenty pounds?
ROSE. Oh, sir, I am quite invincible.
CLEVELAND. But twenty pounds?
ROSE. Say twenty-five.
Public-domain text, read in full here on John Shaqi.
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