IF I had an enemy whom I hated—which Heaven forbid!—and if I knew of
something which sat heavy on his conscience, I think I would introduce
that something into a Posting-Bill, and place a large impression in the
hands of an active sticker. I can scarcely imagine a more terrible
revenge. I should haunt him, by this means, night and day. I do not
mean to say that I would publish his secret, in red letters two feet
high, for all the town to read: I would darkly refer to it. It should be
between him, and me, and the Posting-Bill. Say, for example, that, at a
certain period of his life, my enemy had surreptitiously possessed
himself of a key. I would then embark my capital in the lock business,
and conduct that business on the advertising principle. In all my
placards and advertisements, I would throw up the line SECRET KEYS.
Thus, if my enemy passed an uninhabited house, he would see his
conscience glaring down on him from the parapets, and peeping up at him
from the cellars. If he took a dead wall in his walk, it would be alive
with reproaches. If he sought refuge in an omnibus, the panels thereof
would become Belshazzar’s palace to him. If he took boat, in a wild
endeavour to escape, he would see the fatal words lurking under the
arches of the bridges over the Thames. If he walked the streets with
downcast eyes, he would recoil from the very stones of the pavement, made
eloquent by lamp-black lithograph. If he drove or rode, his way would be
blocked up by enormous vans, each proclaiming the same words over and
over again from its whole extent of surface. Until, having gradually
grown thinner and paler, and having at last totally rejected food, he
would miserably perish, and I should be revenged. This conclusion I
should, no doubt, celebrate by laughing a hoarse laugh in three
syllables, and folding my arms tight upon my chest agreeably to most of
the examples of glutted animosity that I have had an opportunity of
observing in connexion with the Drama—which, by-the-by, as involving a
good deal of noise, appears to me to be occasionally confounded with the
Drummer.
Public-domain text, read in full here on John Shaqi.
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