The foregoing reflections presented themselves to my mind, the other day, as I contemplated (being newly come to London from the East Riding of Yorkshire, on a house-hunting expedition for next May), an old warehouse which rotting paste and rotting paper had brought down to the condition of an old cheese. It would have been impossible to say, on the most conscientious survey, how much of its front was brick and mortar, and how much decaying and decayed plaster. It was so thickly encrusted with fragments of bills, that no ship’s keel after a long voyage could be half so foul. All traces of the broken windows were billed out, the doors were billed across, the water-spout was billed over. The building was shored up to prevent its tumbling into the street; and the very beams erected against it were less wood than paste and paper, they had been so continually posted and reposted. The forlorn dregs of old posters so encumbered this wreck, that there was no hold for new posters, and the stickers had abandoned the place in despair, except one enterprising man who had hoisted the last masquerade to a clear spot near the level of the stack of chimneys where it waved and drooped like a shattered flag. Below the rusty cellar-grating, crumpled remnants of old bills torn down, rotted away in wasting heaps of fallen leaves. Here and there, some of the thick rind of the house had peeled off in strips, and fluttered heavily down, littering the street; but, still, below these rents and gashes, layers of decomposing posters showed themselves, as if they were interminable. I thought the building could never even be pulled down, but in one adhesive heap of rottenness and poster. As to getting in—I don’t believe that if the Sleeping Beauty and her Court had been so billed up, the young Prince could have done it.