How much of Borrow is true and how much is false, is one of those
questions which might easily set all mankind by the ears, but for the
pleasing circumstance that it does not matter a dump. Few things are
more comical than to hear some douce body, unread in Borrow, gravely
inquiring how far his word may be relied upon. The sole possible
response takes the exceptionable shape of loud peals of laughter. And
yet, surely, it is a most reasonable question, or query, as the Scotch
say. So it is; but after you have read your author you won't ask it--you
won't want to. The reader can believe what he likes, and as much as he
likes. In the old woman on London Bridge and her convict son, in the man
in black (how unlike Goldsmith's!), in the _Flaming Tinman_, in Ursula,
the wife of Sylvester. There is but one person in whom you must believe,
every hour of the day and of the night, else are you indeed
unworthy--you must believe in Isopel Berners. A stranger and more
pathetic figure than she is not to be seen flitting about in the great
shadow-dance men call their life. Born and bred though she was in a
workhouse, where she learnt to read and sew, fear God, and take her own
part, a nobler, more lovable woman never crossed man's path. Her
introduction to her historian was quaint. 'Before I could put myself on
my guard, she struck me a blow on the face, which had nearly brought me
to the ground.' Alas, poor Isopel! Borrow returned the blow, a deadlier,
fiercer blow, aimed not at the face but at the heart. Of their life in
the Dingle let no man speak; it must be read in the last chapters of
_Lavengro_, and the early ones of _The Romany Rye_. Borrow was certainly
irritating. One longs to shake him. He was what children call 'a tease.'
He teased poor Isopel with his confounded philology. Whether he simply
made a mistake, or whether the girl was right in her final surmise, that
he was 'at the root mad,' who can say? He offered her his hand, but at
too late a stage in the proceedings. Isopel Berners left the Dingle to
go to America, and we hear of her no more. That she lived to become a
happy 'housemother,' and to start a line of brave men and chaste women,
must be the prayer of all who know what it is to love a woman they have
never seen. Of the strange love-making that went on in the Dingle no
idea can or ought to be given save from the original.
Public-domain text, read in full here on John Shaqi.
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