Resonance in Singing and SpeakingFillebrown, Thomas
Science
Resonance in Singing and Speaking
Fillebrown, Thomas
Voice culture
A profitable exercise for speakers is to pronounce any word or
syllable ending with _ng_, as _ming_, _bing_, _sing_, _ring_, _ting_,
and follow it with some familiar lines in a monotone, being sure that
the tone is the same and produces the same vibrations in the nose and
head.
In the case of a person already a public speaker, this new _regime_
may not immediately manifest itself in performance, but gradually the
right principles will assume control, and speaking be done with ease
and effectiveness. Continual daily practice of exercises should be
kept up.
If a speaker has a musical ear and some musical knowledge, he will
derive great benefit by following out the practice of the exercises
for singers. In no way can the voice for speaking be improved so
rapidly or decisively as by musical training.
Exercise II
TO ESTABLISH HEAD AND NASAL RESONANCE
As in Exercise I, sing softly, seeking purity of vowel sounds and
quality of tone. Fully pronounce _hung_ at once, prolonging the _ng_
four counts as indicated. Pass from one vowel to the next with the
least possible change in the position of the lips and chin. The stream
of sound is to be unbroken, the tone focus unchanged, and the
sensation of resonance in the upper chambers continuous.
[Music illustration: Hung-ee-oo-oh-aw-ah _etc._]
[Music illustration: Hung-ee-oo-oh-aw-ah _etc._]
Exercise III
UPPER RESONANCE CONTINUED
Follow the directions for Exercise I. Sing quietly in a pitch that is
easy for the voice, and modulate up or down by half steps.
[Music illustration: Hung-ee-oo-oh-aw-ah _etc._]
Exercise IV
UPPER RESONANCE CONTINUED
The last exercise carried the voice an interval of a third; this
carries the voice an interval of a fifth. Follow carefully the
directions of Exercise I. Be sure to pronounce _hung_ at once,
prolonging the tone not on the vowel but on the _ng_. _Sing softly._
Vary the pitch to suit the voice.
[Music illustration: Hung-ee-oo-oh-aw-ah _etc._]
Exercise V
UPPER RESONANCE CONTINUED
The last exercise carried the voice an interval of a fifth, this one
has a range of a sixth, while Exercise VI has a range of an octave.
Carefully follow the Important Directions on page 60.
_Sing softly_ in a pitch that is easy for the voice.
[Music illustration: Hung-ee-oo-oh-aw-ah _etc._]
[Music illustration: Hung-ee-oo-oh-aw-ah _etc._]
Exercise VI
TO ENLARGE THE THROAT AND THUS MAGNIFY THE TONE
Pronounce the word _hung_ at once, opening the mouth well. Prolonging
the _ng_ sound as indicated will insure the proper focus.
Sing the five vowel sounds throughout the scale as indicated. At first
practise only on scales that are in easy range.
[Music illustration:
1. Hung-ee
2. Hung-oo
3. Hung-oh
4. Hung-aw
5. Hung-ah
_etc._]
VIa
[Music illustration:
1. Hung-ee
2. Hung-oo
3. Hung-oh
4. Hung-aw
5. Hung-ah
_etc._]
Exercise VII
FOR PRODUCTION OF THE VOWEL SOUNDS IN PROPER FOCUS
Public-domain text, read in full here on John Shaqi.
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