Reveries of a Bachelor; or, A Book of the HeartMitchell, Donald Grant
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Reveries of a Bachelor; or, A Book of the Heart
Mitchell, Donald Grant
American essays -- 19th century
She is pretty—growing prettier to your eye, the more you look upon her,
and prettier to your ear, the more you listen to her. But you wonder who
the tall boy was, whom you saw walking with her, two days ago? He was
not a bad-looking boy; on the contrary you think (with a grit of your
teeth) that he was infernally handsome! You look at him very shyly, and
very closely, when you pass him; and turn to see how he walks, and how
to measure his shoulders, and are quite disgusted with the very modest
and gentlemanly way, with which he carries himself. You think you would
like to have a fisticuff with him, if you were only sure of having the
best of it. You sound the neighborhood coyly, to find out who the
strange boy is: and are half ashamed of yourself for doing it.
You gather a magnificent bouquet to send her and tie it with a green
ribbon, and love knot—and get a little rose-bud in acknowledgment.
_That_ day, you pass the tall boy with a very patronizing look; and
wonder if he would not like to have a sail in _your_ boat?
But by and by you find the tall boy walking with her again; and she
looks sideways at him, and with a kind of grown-up air, that makes you
feel very boylike, and humble and furious. And you look daggers at him
when you pass; and touch your cap to her, with quite uncommon dignity;
and wonder if he is not sorry, and does not feel very badly, to have got
such a look from you?
[Illustration]
On some other day, however, you meet her alone; and the sight of her
makes your face wear a genial, sunny air; and you talk a little sadly
about your fears and your jealousies; she seems a little sad, and a
little glad, together; and is sorry she has made you feel badly—and you
are sorry too. And with this pleasant twin sorrow, you are knit together
again—closer than ever. That one little tear of hers has been worth more
to you than a thousand smiles. Now you love her madly; you could swear
it—swear it to her, or swear it to the universe. You even say as much to
some kind old friend at nightfall; but your mention of her is tremulous
and joyful—with a kind of bound in your speech, as if the heart worked
too quick for the tongue; and as if the lips were ashamed to be passing
over such secrets of the soul, to the mere sense of hearing. At this
stage you can not trust yourself to speak her praises or if you venture,
the expletives fly away with your thought before you can chain it into
language; and your speech, at your best endeavor, is but a succession of
broken superlatives that you are ashamed of. You strain for language
that will scald the thought of her; but hot as you can make it, it falls
back upon your heated fancy like a cold shower.
Public-domain text, read in full here on John Shaqi.
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