poetry and the whole of classic literature is not yet, by any means, valued as it should be, and it is now incumbent upon hermenentics to instruct us therein, and to exhibit in detail all the treasures of classical literature to their profoundest depths. Such commentaries as are at present written upon the ancients usually contain explanations of isolated words, and matters which often have but a very slight connection with the text. They consist for the most part of general remarks on grammar, and are compiled from collectanea. Such dull and lifeless handiwork should at least be abandoned to those who can attain no higher standpoint of science; but the higher hermenentics must proceed from the basis of grammatical knowledge, which is requisite in every case, to point out in their works the genius and art of the ancients. A correct understanding of the separate parts can only be attained by steadily keeping in view the essential order, the fundamental idea, and it can be proved repeatedly with regard to Hermann that he has neglected this in his writings and commentaries, or he would have perceived that often, in a chorus, the notes to strophe and anti-strophe contradict each other. Pindar especially must be treated in this way.” Lepsius then describes the law which Dissen thinks he has found to be observed, in an analogous manner, through all the poems of Pindar. “I was also received very cordially,” writes Richard to his father, “by O. Müller. He is just such a man as I had expected, and that is saying a great deal; his whole external appearance, even, corresponded amazingly to the idea which I had formed of him. This morning he depicted himself most aptly in describing the Greek character. He is at the same time earnest and vivacious, enthusiastic and calm, imaginative and lucid. This is, of course, most applicable to the manner in which he expresses himself in his lectures, yet his whole character is so transparently manifested in them, especially in the first lectures on the archaeology of art, that it is safe to draw conclusions thence as to all other relations. He has besides an almost ideally fine figure, an expressive countenance which exhibits real humanity, and a distinct, sonorous voice. His lectures are almost entirely extemporaneous, as far as the subject permits, enthusiastic, yet calm too, clear and convincing.”