It is unquestionable that if the fellow-laborers had adhered to their
original plan, and had not separated, Bunsen’s work would have gained a
more stable foundation and assumed a much calmer and more succinct shape
than it actually had. The stream of Bunsen’s eloquence, which was often
too glittering and too diffuse, would have been confined within bounds
by the conciseness and severity of Lepsius. His aspirations after
grandeur and breath, would have been kept down to earth by Lepsius’
fidelity and care for the smallest detail.
The candor of the letter in which Lepsius abandons the enterprise, and
the manner in which Bunsen took the withdrawal of his protégé, do them
both the highest honor, and this incident never in the least disturbed
the friendly relation between them.[44] Lepsius, when he could finally
leave Berlin, went by way of London, was received there in the most
affectionate manner by Bunsen, and accompanied by him to Southampton,
where on the first of September, 1842, the young Egyptologist embarked
for Alexandria. Together they had thoroughly talked over all that might
be attained and all that might be gained, before the steamship weighed
anchor.
THE PRUSSIAN EXPEDITION TO EGYPT, UNDER THE DIRECTION OF LEPSIUS.
On the eighteenth of September, 1842, after a stormy passage through the
Bay of Biscay and a short stay in Gibraltar and Malta, Lepsius, who was
proof against sea-sickness, and had been perfectly well throughout the
voyage, first set his foot upon Egyptian soil at Alexandria.
The choice of his companions had been fortunate, and answered perfectly
to the needs of the expedition. We will first mention Erbkam, an
excellently trained young architect, distantly related to Lepsius, who
was to make surveys, and draw maps and sketches. He showed himself so
entirely equal to the task that the architectural and topographical
drawings executed by him under the direction of Lepsius have long been
acknowledged to be model productions and faultlessly correct.[45] We
have already said all that is necessary of Lepsius’ Naumberg
fellow-countrymen, the brothers Weidenbach, and their work as
hierogrammatists. Lepsius had made the acquaintance of the painter Frey,
from Basle, when in Rome. In the book on monuments, which will be
described hereafter, many of the beautiful colored landscapes and
architectural pictures from lower Egypt are by him; others are by the
Dresden painter, George, a jovial and talented artist, who joined the
expedition after Frey had become seriously ill, and been sent home.
The moulder, Franke, at first rendered excellent service by making casts
of such monuments as could not be brought away, and by preparing the
many thousands of paper impressions which it was necessary to take of
the inscriptions and bas reliefs. But subsequently he had to be
dismissed and sent home on account of inadmissible conduct.
Public-domain text, read in full here on John Shaqi.
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