Notwithstanding the unalterable affection of King Louis II. he was, at
the time I saw him, morally exiled from Bavaria. His long-cherished
project of a theatre, the plans of which were already drawn by the
great architect, Semper, and which the king wished to have erected in
Munich, nearly revolutionized the city. The project was relinquished
and the plaster model of the building was sorrowfully banished to an
attic in the palace. But Wagner had not ceased to think of it, and who
knows if at this moment Paris was not the aim of his dreams? He was
then working upon the third part of the Nibelungen, Siegfried. I saw
the manuscript on his study piano, in a little apartment adjoining the
drawing-room. There was a portrait of his noble friend, handsome as
a hero of the Edda. I was told that he sometimes escaped from Munich
to pass a few days at Tribscheu, and that in this same room a bed was
arranged for him.
There is nothing more touching than the enthusiastic affection with
which this young king was inspired by the man of genius. He came to
him like a saving angel at the moment when all abandoned him. "What
shall I say to you," wrote Wagner to a friend, some time after his
first interview with the king; "the most incomprehensible thing, and
the only one, moreover, which could save me, is completely realized. In
the very year of my first representation of Tanhäuser, a queen brought
into this world the good genius of my life, him who was destined later,
in the depth of my distress, to give me safety and consolation. It
seems as if he had been sent me from heaven." The king was obliged,
however, to do battle for his great friend, for the entire court
was hostile to him, and the struggle was not without danger for the
newly-crowned youth. But nothing could change his heart. The world in
general revenged itself upon him by inventing various legends more or
less absurd and unworthy of his notice. His only peculiarity lies in
his deep intelligence, and his preference for masterpieces over the
frivolous and commonplace pleasures of the world.
Public-domain text, read in full here on John Shaqi.
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