It was a sort of promontory, extremely picturesque, jutting into the
lake. There was neither grating nor door; the garden had no defined
limits, and extended indefinitely toward the neighboring mountains. The
exterior of the house was perfectly plain,--gray, with dark tiles; but
in the interior arrangements, full of grace and elegance, one felt
the presence of a woman. Madame Wagner appeared in the midst of her
children, fair, tall and gracious, with a charming smile, and tender,
dreamy-blue eyes. The sympathy with which she inspired me from the
first moment has never been broken, and our friendship, already of long
standing, has never known a cloud. It was a delightful evening; the
master displayed incomparable animation and gayety of spirits. I was
unprepared for this vivacity of mind, these witticisms, the delicacies
of language which we are wont to consider the monopoly of the Parisian,
and which acquired in him a peculiar charm from his foreign accent,
and, in spite of the great facility with which he spoke French, his
original and unexpected expressions. He spoke of Paris, where he had
greatly suffered, but which he still loved, and of the great contest
over Tanhäuser, without bitterness. I remember, among others, this
phrase:" Since the public at the opera do not like my music why inflict
it upon them?" The group of warm partisans which had formed itself in
France appeared to touch him deeply. Perhaps he founded secret hopes
upon the initiative spirit of the French. In spite of his steadily
increasing success in Germany he still had bitter adversaries, and was
still exposed to base persecutions. The press reviled him incessantly
with a coarseness and violence of which our French journals, even those
most eager for scandal, can give no idea. The calumnies went even so
far that Wagner, for the first and last time in his life, decided to
reply to them. "I have seen," he said, among other things, "the London
and Paris papers mock my works and tendencies without pity; these
works have been dragged through the mire, they have been hissed in the
theatres; but it still remained to me to see my person, my private
character, my domestic life, exposed to public contempt in the country
where my works are admired, and where a masculine energy and lofty
aspirations are recognized in my efforts." The nobility and clergy
were arrayed against him. What they sought for in him was doubtless
the revolutionist of the days in May, 1849; the deep thinker, the
powerful and energetic man of action, marching toward progress and the
liberation of thought. And what hatred! Banished, pursued, and not
knowing where to take refuge. Thus came about this almost incredible
thing, that, at one time, he might be thought the only German who had
not seen the representation of Lohengrin.
Public-domain text, read in full here on John Shaqi.
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