I have never forgotten this incident, and I have seemed later to see
in this sudden movement of anger, which roused my young conscience
to indignation in so singular a manner, a sort of presentiment,
--something which premonished me that one day I should become a
passionate admirer of this artist, whose name I now heard for the first
time.
It seems evident that, at the moment when a new genius reveals
itself, a little group of chosen mortals springs to life, called to
form about him a devoted company to defend him, to console him for
all but universal hatred, to sustain him in his agonies, all the
while upholding the divinity of his inspirations. It was doubtless
my vocation to become a disciple of this new hero, to understand and
believe in him, for I was influenced by no one. One day chance placed
in my hands the score of the Flying Dutchman. My music teacher, who
hired music at Flaxland's, had taken this volume, among others, without
knowing its contents, and left it with me until the next lesson, as it
was inconveniently burdensome. I had profited little by my lessons,
and was a most indifferent pianist; notwithstanding which, after
having deciphered in the most incomplete and crude manner this unknown
score, I was entirely overcome, and in spite of my numberless mistakes,
the grandeur and meaning of this music were revealed to me by a sort
of intuition. I could not be persuaded to leave the piano; I became
infatuated, and my friends tried in vain to get the score out of my
hands. From this moment Richard Wagner had one more faithful disciple.
When, in 1868, I wrote several articles upon his works, I had still
a very imperfect knowledge of them from more or less satisfactory
executions upon the piano and desultory fragments heard at the popular
concerts. I was much alarmed at my own audacity, after having addressed
these articles to Wagner, then at Lucerne, accompanied by a letter,
begging him to aid me kindly with his advice for their correction and
completion. I hoped and waited for an answer with extreme anxiety:
would it come? I could not believe it, and yet I could think of
nothing else. I could hardly sleep, and as each morning passed, and
the messenger brought nothing, my heart filled with anguish. One day,
however, I spied the Lucerne postmark upon an envelope addressed in an
unknown hand, which I immediately recognized as remarkable.
Public-domain text, read in full here on John Shaqi.
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