I held this letter a long time between my fingers before opening it.
I experienced a strange emotion,--a sort of fear. How had I dared,
with my heedlessness, characteristically French, to write, confiding
alone in my instinct, upon the works of this artist, for whom I felt
already such an enthusiasm that I could only imagine him as existing,
after the manner of the gods, upon an inaccessible Olympus. Was this
letter really from him? I opened it at last, four pages of elegant
handwriting, very legible, and at the last line the magic signature.
The letter began thus: "Madam,--It is impossible that you could have
experienced the slightest doubt of the touching and kindly impression
made upon me by your letter and your fine articles. Accept my thanks
for them, and permit me to count you among the small number of true
friends whose clear-eyed sympathy is my only glory. There is nothing in
your articles to correct, nothing to suggest; but I perceive that you
have not yet a thorough knowledge of the Mastersingers." He then gave
me an interesting explanation of the introduction to the third act in
the Mastersingers, which had been performed by Pasdeloup a short time
previous at the popular concerts. The letter ended thus:--
"Pardon me, madam, if I venture to complete, above all with the aid of
my bad French, your acquaintance, otherwise so profound and intimate,
with my music, by which you have truly touched and surprised me. I
shall probably visit Paris before long, perhaps even this winter, and I
rejoice beforehand in the true pleasure of taking you by the hand, and
telling you face to face of the pleasure you have given to your truly
obliged and devoted,
RICHARD WAGNER."
Public-domain text, read in full here on John Shaqi.
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