Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
Among the Sagan Kerens of southeastern Asia there is a curious
superstitious use of a ring in connection with funeral feasts. On such
occasions a metal ring is suspended from a support just over a brass
basin. One by one the relatives of the deceased person approach and
strike a succession of quick taps on the edge of the basin with a piece
of bamboo. When it comes to the turn of the one who was most beloved by
the departed, the spirit is believed to answer the call by making the
string twist about and lengthen, so that, finally, it either parts and
permits the ring to fall into the basin, or else swings and lengthens
sufficiently to cause the ring to strike the basin edge.[509]
A magic ring is introduced by Sir Thomas Malory in his “Morte
d’Arthur,” written in 1469 or 1470, the tale being of course borrowed
from some one of the numerous sources he used in this compilation
of the story of King Arthur and the Knights of the Round Table. The
ring was given by Dame Liness to Sir Gareth, who wished to hide his
personality while competing in a tournament. The dame assured the
Knight that this ring had such virtue that it would turn green to red,
blue to white, and vice versa, and so through all the range of colors.
The lady required, however, a solemn promise that her ring would be
returned to her at the close of the tournament, for in addition to its
other virtues, it possessed marvellous cosmetic powers, increasing her
beauty to an extraordinary degree.
In the tourney, the baffling changes of color in Sir Gareth’s arms
and equipment confused his assailants and rendered him more easily
victorious than he would otherwise have been, good knight that he was.
Having ridden for a moment out of the press of knights to adjust his
helmet, which had become loosened, a dwarf approached him, offering a
cup of wine to quench the knight’s thirst, at the same time asking to
hold the ring lest Sir Gareth should let it slip from his finger while
drinking. The knight gave it to him, but in his eagerness to join again
in the affray, forgot to take it back. But now his armor retained its
normal yellow tint, and, fearing recognition, for it was important for
him to conceal his personality at this time, he noted that his ring
was not on his hand. He quickly sought the dwarf and obliged him to
surrender the magic ring. No sooner was it on his finger than his armor
changed color, and he was able to avoid a threatened pursuit, as all
were in search of the Yellow Knight.
A ring having magic power to protect the wearer from danger appears in
the mediæval romance of Sir Eglamore. The tale appears to have been
known to Shakespeare, to judge from the line: “What think’st thou of
the fair Sir Eglamore,” which occurs in Two Gentlemen of Verona. This
ring was given to the gallant knight by his lady love:[510]
Public-domain text, read in full here on John Shaqi.
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