Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
Then said Arnada, that sweete thing
“Have here of me a gold ring
With a precyous stone;
Where-soe you bee on water or Land
And this ring upon your hand
Nothing may you slone.”[511]
Sometimes the virtues of the ring are conceived in a poetic spirit and
are associated intimately with the giver, as we find in the romance
of Ywaine and Gawin. Here the stone set in the ring given by Ywaine
protects the wearer from imprisonment, illness, loss of blood, and
danger in battle, but the lady tells her lover that this virtue exists
in the ring “while you it have and think on me,” that is, only so long
as his love endures.[512]
That the magic virtues of the images and talismans were liable to wane
and pass away, was taught by Albertus Magnus, who likened these powers
to those of animate objects which were also transitory. When the period
fixed by heaven had come to an end, the power of the image would be
broken and it would be useless, cold and dead. This, in his opinion,
accounted for the fact that many talismanic figures failed to display
any efficacy, although they had done so in ancient times.[513]
In the “Book of Thetel,” as quoted by Konrad von Megenberg,[514] one of
the engraved gems is described as follows:
A man seated upon a footstool, crowned, and stretching forth
his hands to the heavens. Beneath him are four men appearing to
support the stool. Take mastic and terebinth (turpentine) and put
them under the stone in a silver finger-ring, having twelve times
the weight of the stone in the ring. If this be placed beneath the
head of a sleeping person, he dreams of what he longed for when
awake.
The curious statement that the metal ring was to weigh twelve times as
much as the stone, seems to indicate an influence of the superstition
in regard to the number twelve.
The Londesborough Collection contains a ring which represents a toad
swallowing a serpent. This was evidently used as an amulet and the
design seems to have some connection with the curious superstition
that a serpent, to become a dragon, must swallow a serpent. A Greek
proverb, found in Suidas (ab. the tenth century A.D.), is
aptly rendered by Dryden (Edipus, Act III, sc. 1) as follows:
A serpent ne’er becomes a flying dragon till he has eat a serpent.
Hence this ring combined the curative or talismanic powers attributed
to the toad, the serpent and the dragon.[515]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account