Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
As the Navajo silversmiths dwelt in small huts or temporary shelters
which they might move away from at short notice, they were forced
to build low forges directly on the ground, obliging them to crouch
down while working.[48] In this respect the Pueblo artisans had a
considerable advantage, since their spacious dwellings made it possible
for them to set their forges solidly in a frame high enough to enable
them to do their work standing. A considerable number of tools and
appliances are in the workshop of the Navajo silversmith; most of them,
however, of rude fabrication and not well adapted for fine and accurate
work. He deserves the more credit for the quality of work he is able
to produce. The following is a pretty full list of the outfit in such
a workshop: Forge, bellows, anvil, crucibles, molds, tongs, scissors,
pliers, files, awls, cold chisels, matrix and die for moulding buttons,
wooden stake, basin, charcoal, tools and materials for soldering
(blow-pipe, braid of cotton rags soaked in grease, wire, and borax),
materials for polish (sandpaper, emery-paper, powdered sandstone, sand,
ashes, and solid stone), and materials for whitening (a native mineral
substance--almogen, salt and water).[49]
It has been noted that the Navajos had not acquired the art of making
an air chamber of the mouth in operating the blow-pipe, but blew with
undistended cheeks, the result being an intermittent flame. The latter
is furnished by burning a thick braid of cotton rags soaked in mutton
suet or some other similar kind of grease. For the polishing work,
the emery paper is sparingly used because of its cost. After all the
preliminary polishing has been done with sandstone, sand or ashes, the
finishing is done with emery-paper. For the blanching of the silver the
hydrous sulphate of ammonia, termed almogen, is used, the silver being
bathed in a solution of this, with the addition of a little salt. The
blow-pipe is usually made by beating out a piece of thick brass wire
into a long flat strip, which is then bent into the requisite form.
Public-domain text, read in full here on John Shaqi.
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