Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc. — John Shaqi
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
Two of the best of these silversmiths were engaged to work for a short
time near Fort Wingate. As has been noted, their forges are commonly
set very low down, and the position of the workers was evidently
an uncomfortable one. Nevertheless, they showed a great degree of
persistence, working sometimes as many as from twelve to even fifteen
hours in a day. When paid by the piece, artisans could earn about two
dollars a day on an average. The method of chasing was excessively
primitive. While one worker held the object firmly on an anvil, the
other applied to it part of the shank of a file that had previously
been rounded, and struck this with smart taps of a hammer. Finer
figures were engraved with the sharpened part of a file, to which a
peculiar zigzag, forward motion was imparted by the hand. One fault
that could be charged against these silversmiths was a lack of economy
as to the precious material they used, no care being taken to gather
up and utilize the amount lost in filing and polishing, as well as by
oxidation in the forge, so that the net loss was estimated at fourteen
per cent.
While the art of the work produced can scarcely be termed finished,
when judged by very high standards, still the silver ornaments executed
by the Navajos possess at least the charm inherent in individual work,
as contrasted with the more harmonious and finished productions of
merely mechanical art, where thousands of objects of a given type of
design are turned out annually in a highly-organized silversmithing
establishment. With these Indians we have the “personal note” that is
too often missed in the ornaments of our day. This Navajo industry has
received much encouragement from the managers of the Santa Fé Railroad,
and from its agencies. Although the art among the Navajos is generally
believed to have been introduced by Spanish influence, the fact that
before the Spanish Conquest the native Mexicans were able to work
metals with considerable skill would make it not improbable that it
spread to the New Mexico tribes, and perhaps from them to the ancestors
of the Navajos of to-day. The Navajo Indians belong to the Athapascan
race and emigrated from the northwestern coast. Copper had been worked
into ornaments from of old by Indians of the same stock in Alaska, and
some remains indicate that this was the case, in rare instances, with
the Navajos.
Public-domain text, read in full here on John Shaqi.
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