Ritual and belief : $b Studies in the history of religionHartland, Edwin Sidney
Religion
Ritual and belief : $b Studies in the history of religion
Hartland, Edwin Sidney
Ethnopsychology; Magic; Religion; Rites and ceremonies
For these reasons it would appear that we must regard such tales as
those of the kelpie and the water-bull of Scotland and the Isle of
Man, or the Neck of Sweden, as illuminating the legend of Jacob’s
struggle at the ford of the Jabbok. Professor Frazer rightly adduces
as in some degree analogous the story of Menelaus catching the shy
sea-god Proteus sleeping on the sands, and compelling him to say his
sooth, as Jacob compels the angel to pronounce a blessing, and that of
Peleus catching and conquering the sea-goddess Thetis to be his bride.
Here we are reminded of a cycle of traditions found all over the
world, and known as the Swan-maiden cycle. The heroine of the tale is
a supernatural being, usually in the form of a bird which casts its
feathers like a robe and becomes human. The hero, possessing himself
of the robe, acquires power over her and makes her his wife, only to
lose her again when she recovers it. As told in Scotland and the
adjacent isles, in the Faeroe Islands and Iceland, the lady is a
seal.[167.1] It may be doubtful whether Thetis was ever so
represented; but it is certainly most suggestive that Proteus was
discovered sleeping among the seals. For it is not only for
matrimonial purposes that these supernatural beings are caught in
modern _märchen_. In a Tamil tale the hero {168} steals the dress of
one of a band of divine maidens, and thereby compels her to bring him
a certain divine parijata, or flower of the coral tree, which was
demanded by another lady as the price of her hand.[168.1] In the
Spanish tale of The Marquis of the Sun, the Marquis is a great
gamester. A man who played with him lost all he had, and then staked
his soul and lost it. To get it back he was advised to watch on the
banks of a river. Three princesses would come in the guise of doves,
cast their feathers and bathe. He was to take the dress of the
smallest and thus compel her to show him the road to the Marquis her
father’s castle.[168.2] It is true that both these adventures do
result in the hero’s union with the bird-maiden. Such union is,
however, incidental. In a Samoyed Swan-maiden story the heroine,
captured in the usual way, flings the hearts of herself and her
husband, as well as of other members of his family, into the air; and
their owners in consequence remain neither living nor dead. The
husband’s father’s sister goes in search of the hearts to the lake
where the bride was captured, and finds her six sisters there swimming
as before. She takes possession of the clothes of one of them, and
thus compels her to restore the hearts of her relatives.[168.3] So
the hero of a tale told by a tribe on Vancouver Island is sent in
search of his daughter, who has eloped with a wolf. He sees a number
of young wolves playing at ball, having laid aside their mantles. He
sets himself down beside the mantles, and in this way putting their
owners to shame at being found naked, compels them to bring him to his
Public-domain text, read in full here on John Shaqi.
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