Burns, Robert, 1759-1796; Poets, Scottish -- 18th century -- Biography; Scotland -- In literature
While Gilbert acknowledges that his brother's love-makings were at (p. 012)
this time unceasing, he asserts that they were "governed by the
strictest rules of virtue and modesty, from which he never deviated
till he reached his twenty-third year." It was towards the close of
his twenty-second that there occurs the record of his first serious
desire to marry and settle in life. He had set his affections on a
young woman named Ellison Begbie, daughter of a small farmer, and at
that time servant in a family on Cessnock Water, about two miles from
Lochlea. She is said to have been not a beauty, but of unusual
liveliness and grace of mind. Long afterwards, when he had seen much
of the world, Burns spoke of this young woman as, of all those on whom
he ever fixed his fickle affections, the one most likely to have made
a pleasant partner for life. Four letters which he wrote to her are
preserved, in which he expresses the most pure and honourable feelings
in language which, if a little formal, is, for manliness and
simplicity, a striking contrast to the bombast of some of his later
epistles. Songs, too, he addressed to her--_The Lass of Cessnock
Banks_, _Bonnie Peggy Alison_, and _Mary Morison_. The two former are
inconsiderable; the latter is one of those pure and beautiful
love-lyrics, in the manner of the old ballads, which, as Hazlitt says,
"take the deepest and most lasting hold on the mind."
Yestreen, when to the trembling string,
The dance gaed thro' the lighted ha',
To thee my fancy took its wing,
I sat, but neither heard nor saw:
Tho' this was fair, and that was braw,
And yon the toast of a' the town,
I sigh'd, and said amang them a',
"Ye are na Mary Morison."
Oh, Mary, canst thou wreck his peace, (p. 013)
Wha for thy sake wad gladly die;
Or canst thou break that heart of his,
Whase only faut is loving thee?
If love for love thou wilt na gie,
At least be pity to me shown;
A thought ungentle canna be
The thought o' Mary Morison.
In these lines the lyric genius of Burns was for the first time
undeniably revealed.
But neither letters nor love-songs prevailed. The young woman, for
some reason untold, was deaf to his entreaties, and the rejection of
this his best affection fell on him with a malign influence, just as
he was setting his face to learn a trade which he hoped would enable
him to maintain a wife.
Public-domain text, read in full here on John Shaqi.
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