English drama -- Early modern and Elizabethan, 1500-1600; Greene, Robert, 1558-1592
up the marriage money which I had obtained by her.
"Then left I her at six or seven, who went into Lincolnshire, and I to
London; where in short space I fell into favour with such as were of
honourable and good calling." But though he knew how to get a friend
he "had not the gift or reason how to keep a friend." Further he tells
us that he had wholly betaken himself to the planning of plays, that
"these vanities and other trifling pamphlets I penned of love and vain
fantasies was my chiefest stay of living," and that he had refrained
his wife's company for six years.
What may be the value of the third class of biographical material,
that derived from contemporary references, is, perhaps, best revealed
by reviewing the history of the controversy with Gabriel Harvey. In
1590 Richard Harvey, the second of three brothers, attacked all poets
and writers, and Lyly and Nash particularly, in a pamphlet entitled
_The Lamb of God_, terming them "piperly make-plays and make-bates,"
and comparing them with Martin. Though not himself attacked, Greene,
because "he writ more than four others," retorted in defence of
his brother dramatists in _A Quip for an Upstart Courtier_ (1592),
making a satirical thrust at the Harveys as the sons of a rope-maker.
At the request of Greene's physician the most offensive lines were
expunged from all except possibly the first edition. But the harm
had been done. Greene died before the Harveys could or would make
answer. Then, in Gabriel Harvey's _Four Letters_ (1592), the memory
of Greene was attacked in one of the most venomous pamphlets known to
the literature of vilification. Harvey's four epistles were followed
by Nash's _Strange News_, and other controversial pamphlets, in which
Nash attempts, rather light-heartedly, to defend Greene's memory. Other
writers who take occasion to speak a good word for Greene, after his
death, are Chettle in _A Kind Hart's Dream_ (1593), a certain R. B.,
author of _Greene's Funerals_ (1594), and Meres in _Palladis Tamia_
(1598). Strange as it may seem it is impossible to decide that Harvey
seriously wronged Greene in his accounts of fact. Like Greene, Harvey
has been too much abused on account of his unfortunate quarrels with
men whom history was to discover were his superiors. His pedantry,
his egotism, and the very virulence of his hatred seem to nullify the
effect of his assault, without greatly militating against the truth
of the account he gives. Nash, who is vigorous in his expressions of
respect for his friend, is notably weak in his rebuttals of fact.
With the exception of some manifest exaggerations, Harvey's account
of Greene's death-bed, of his association with Cutting Ball and his
sister, and of his son Fortunatus, must be accepted as substantially a
true one. Harvey's account will not be given here but it is epitomised
when "we come to finish up his life."
Public-domain text, read in full here on John Shaqi.
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