English drama -- Early modern and Elizabethan, 1500-1600; Greene, Robert, 1558-1592
There remain for consideration, and in most part for dismissal, a
few traditions that have grown up about the name of Greene. Early
biographers, among whom was Dyce, attempted to show that Greene had
at one time been a minister. This opinion was partly based upon
the two manuscript notes on a copy of _George-a-Greene_: "Written
by ... a minister who acted the piner's pt in it himselfe. Teste
W. Shakespeare," and "Ed. Juby saith that ye play was made by Ro.
Greene." Aside from the fact that these notes are not shown to
have any authority, and may, in fact, contradict each other, the
probabilities are all against the hypothesis that Greene was ever a
minister. Nowhere in his singularly open personal revelations does
he suggest that he ever acted as such. Indeed, his expressions are
inconsistent with such an idea. "In all my life I never did any good,"
he writes in his _Repentance_, and in the same tract he tells of that
incipient conversion that was nipped in the bud by the ridicule of
his fellows. Surely this account does not sound like the confession
of an ex-minister, and these same copesmates would certainly not have
maintained silence had they known that Greene had held a living.
Considerations of time make it impossible that Greene should have been
the Robert Greene who, in 1576, was one of the Queen's chaplains,
for at this time he could not have been more than eighteen years
old; nor is it at all likely that he is the Greene who, in 1584-5,
was vicar of Tollesbury in Essex, for in these years he was engaged
in the unclerical exercise of preparing for printing _The Mirror of
Modesty, Morando The Tritameron of Love, The Card of Fancy,_ and
_Planetomachia_. The theory that Greene was an actor is traced back to
the manuscript notes already quoted, and to some ambiguous remarks by
Harvey in his _Four Letters_. Fleay's ingenious conjecture that Greene
is identical with that Rupert Persten who accompanied Leicester's
company to Saxony and Denmark in 1585-87, and that this name is
equivalent to "Robert the Parson," is discredited on philological
grounds as well as for its general lack of weight. That Greene may have
now and then assumed a part upon the stage is quite possible; but that
he never associated himself with the actor's calling is made quite
clear from his contemptuous treatment of actors in the passages already
quoted. It is perhaps not entirely necessary to dismiss the theory,
based on the entry on the title-page of _Planetomachia_, "By Robert
Greene, Master of Arts and student in physic," that Greene had intended
to study medicine, and was hindered from pursuing his purpose by his
success in literature. It is likely, however, that Greene here uses
the term "physic" in the sense of "natural philosophy," as it was used
by Chaucer and Gower, and that he had particular desire to defend his
ability to treat an astronomical topic such as that of _Planetomachia_.
* * * * *
Public-domain text, read in full here on John Shaqi.
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