English drama -- Early modern and Elizabethan, 1500-1600; Greene, Robert, 1558-1592
exquisite in that faculty." The remainder of the story relates Isabel's
repulse of the seductions of an admirer, Infida's unsuccessful efforts
at reconciliation with the now prosperous Francesco, and the latter's
penitent return to his faithful wife.
The story told in _A Groatsworth of Wit_ quite closely resembles that
of _Never too Late_ and is clearly autobiographical. To this fact
Greene bears witness when, near the end of the story, he writes: "Here,
gentlemen, break I off Roberto's speech, whose life in most part
agreeing with mine, found one self punishment as I have done. Hereafter
suppose me the said Roberto, and I will go on with that he promised."
In this story, "an old new-made gentleman" named Gorinius, living
in an island city "made rich by merchandise, and populous by long
space," had two sons, the one a scholar, named Roberto, married and
but little regarded, the other named Lucanio, the heir-apparent of his
father's ill-gathered goods. On his death-bed Gorinius bequeathed his
entire property to Lucanio: "only I reserve for Roberto, thy well-read
brother, an old groat (being the stock I first began with), wherewith
I wish him to buy a groatsworth of wit." Upon the death of Gorinius,
and the distribution of the property according to will, Roberto "grew
into an inward contempt of his father's unequal legacy, and determinate
resolution to work Lucanio all possible injury." As Lucanio "was of
a condition simple, shamefast, and flexible to any counsel," Roberto
seemed on a fair way to success, until Lamilia, a courtesan with whom
he had plotted for Lucanio's undoing, repudiated the understanding and
informed the heir of the plot against his gold. Forbidden the house,
"Roberto, in an extreme ecstasy, rent his hair, curst his destiny,
blamed his treachery, but most of all exclaimed against Lamilia, and
in her against all enticing courtesans." ... "With this he laid his
head on his hand, and leant his elbow on the ground, sighing out sadly,
'Heu patior telis vulnera facta meis!'" Roberto's lamentations were
overheard by one sitting on the other side of the hedge, who, getting
over, offered such comfort as his ability would yield, doing so "the
rather," as he said, "for that I suppose you are a scholar, and pity
it is men of learning should live in lack." Greatly wondering Roberto
asked how he might be employed. "'Why, easily,' quoth he, 'and greatly
to your benefit; for men of my profession get by scholars their whole
living.' 'What is your profession?' said Roberto. 'Truly, sir,' said
he, 'I am a player.' 'A player!' quoth Roberto; 'I took you rather
for a gentleman of great living; for if by outward habit men should
be censured, I tell you, you would be taken for a substantial man.'
'So am I where I dwell,' quoth the player, 'reputed able at my proper
cost to build a windmill.'" Roberto now again asked how he was to be
used. "'Why, sir, in making plays,' said the other; 'for which you
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