English drama -- Early modern and Elizabethan, 1500-1600; Greene, Robert, 1558-1592
Ophelia, "I am myself indifferent honest; but yet I could accuse me
of such things that it were better my mother had not borne me," a
characteristic moral attitude of the times.
What do we learn from the romances concerning Greene's life? The
_Mourning Garment_ is a modernised version of the prodigal son
story, and its relation to Greene's own history may be slight or
even factitious. The story of _Never too Late_ touches Greene more
closely. In this there is recounted the fortunes of "a gentleman of an
ancient house, called Francesco; a man whose parentage though it were
worshipful, yet it was not indued with much wealth; insomuch that his
learning was better than his revenues, and his wit more beneficial
than his substance." This Francesco, "casting his eye on a gentleman's
daughter that dwelt not far from Caerbranck," named Isabel, fell in
love with her, and married her against the opposition of Fregoso, her
father. For five years "they laboured to maintain their loves, being
as busy as bees, and as true as turtles, as desirous to satisfy the
world with their desert as to feed the humours of their own desires."
At the end of this time they were reconciled with Fregoso, and "they
counted this smile of fortune able to countervail all the contrary
storms that the adverse planets had inflicted upon them." Now after
two years "it so chanced that Francesco had necessary business to
dispatch certain his urgent affairs at the chief city of that island,
called Troynovant: thither, with leave of his father, and farewell to
his wife, he departed after they were married seven years." In the city
he surrendered to the lures of a courtesan, Infida, and "seated in her
beauty, he lived a long while, forgetting his return to Caerbranck."
For three years the two lovers "securely slumbered in the sweetness
of their pleasures," ignoring the womanly complaints of Isabel and
neglectful of the passage of time. Then finding that "all his corn
was on the floor, that his sheep were dipt, and the wool sold,"
Infida turned him out of doors. Francesco laments his hard fortune in
an invective against courtesans that stings with the passion of the
author's personal feeling. In his "perplexity he passed over three or
four days till his purse was clean empty" and he was compelled "to
carry his apparel to the brokers, and with great loss to make money
to pay for his diet." "In this humour he fell in amongst a company
of players, who persuaded him to try his wit in writing of comedies,
tragedies, or pastorals, and if he could perform anything worth the
stage, then they would largely reward him for his pains. Francesco,
glad of this motion, seeing a means to mitigate the extremity of his
want, thought it no dishonour to make gain of his wit or to get profit
by his pen: and therefore, getting him home to his chamber, writ a
comedy; which so generally pleased all the audience that happy were
those actors in short time that could get any of his works, he grew so
Public-domain text, read in full here on John Shaqi.
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