Robin Hood: A collection of all the ancient poems, songs, and ballads, now extant, relative to that celebrated English outlaw. To which are prefixed historical anecdotes of his life.
General
Robin Hood: A collection of all the ancient poems, songs, and ballads, now extant, relative to that celebrated English outlaw. To which are prefixed historical anecdotes of his life.
Ballads, English -- England -- Texts; Outlaws -- Poetry; Robin Hood (Legendary character) -- Poetry; Songs, English -- England -- Texts
_Clo._ Oh, he’s often forgotten, that’s no rule; but there is no
_maid Marian_ nor _friar_ amongst them, which is the surer mark.
_Coc._ Nor a _fool_ that I see.”—(_Tollet’s Memoir._)
[96] Neither is any notice taken of them, where the characters of
the morris-dance are mentioned, in _The Two Noble Kinsmen_, by
Shakespeare and Fletcher.
[97] This was a usual cry on occasions of mirth and jollity. Thus,
in the celebration of St. Stephen’s day in the Inner-Temple hall,
as we find it described in Dugdale’s Origines Juridiciales: “Supper
ended, the constable-marshall ‘presenteth’ himself with drums afore
him, mounted upon a scaffold, born by four men; and goeth three
times round about the harthe, crying out aloud, A lord, a lord, &c.
Then he descendeth and goeth to dance,” &c. (p. 156).
[98]
――“’Tis meet we all go forth,
To view the sick and feeble parts of France:
And let us do it with no show of fear;
No, with no more, that if we heard that England
Were busied with a _Whitsun morris-dance_.”
Shak. _K. Hen. V._, act ii. scene 4.
[99] Perhaps also, Robin Hood and his party had never appeared in
company with the morris-dancers but at one particular period, in
the beginning of May, whereas we find that _Whitsuntide_ was no
less devoted to the latter.
[100] It must be confessed that no other direct authority has been
met with for constituting _Robin Hood_ and _Little John_ integral
characters of the morris-dance. That _Maid Marian_, however, and
the _Frier_, were almost constantly such, is proved beyond the
possibility of a doubt; and why or how they should become so,
without Robin Hood, at least, is unaccountable.
[101] This county would seem to have been famous for their
exertions a couple of centuries ago. Will Kemp the player was
a celebrated morris-dancer; and in the Bodleian Library is the
following scarce and curious tract by him: “Kemp’s nine daies
wonder performed in a daunce from London to Norwich. Containing the
pleasure, paines and kind entertainment of William Kemp between
London and that city in his late morrice. Wherein is somewhat set
downe worth note; to reproove the slaunders spred of him, many
things merry, nothing hurtfull. Written by himself to satisfie
his friends. London, printed by E. A. for Nicholas Ling, 1600”
4to, b. l. On the title-page is a woodcut figure of Kemp as a
morrice-dancer, preceded by a fellow with a pipe and drum, whom
he, in the book, calls Thomas Slye his taberer.—See, in Richard
Brathwayte’s Remains after Death, 1618, some lines “upon Kempe and
his morice, with his epitaph.”
[102] “On Monday [July 30] the morris-dancers of Pendleton paid
their annual visit in Salford. They were adorned with all the
variety of colours that a profusion of ribbons could give them, and
had a very showy garland.”—_Star_, Aug. 9, 1792.
[103] “Council Register, v. 1, p. 30.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account