Families -- Fiction; Theater -- Great Britain -- Fiction
Joshua Fuller was now twenty-six, an eternal offence to the eyes of his
mother, who perceived in him nothing but a dreadful reminder of her
husband at the same age. That anybody could dare to deplore Caterina’s
life when in Joshua the evidence of her own was before them enraged
Letizia with human crassness. But Joshua was going to be an asset to
Fuller’s Fireworks. Just as his father had perceived the importance
of chlorate of potash in 1829, so now in 1863 did Joshua perceive
the importance of magnesium, and the house of Fuller was in front
of nearly all its rivals in utilising that mineral, with the result
that its brilliant fireworks sold better than ever. The Guilloché and
Salamandre, the Girandole and Spirali of Madame Oriano, so greatly
admired by old moons and bygone multitudes, would have seemed very
dull affairs now. Another gain that Joshua provided for the business
was to urge upon his father to provide for the further legislation
about explosives that sooner or later was inevitable. With an ill
grace Caleb Fuller had complied with the provisions of the Gunpowder
Act of 1860; but, when the great explosion at Erith occurred a few
years later, Joshua insisted that more must be done to prepare for the
inspection of firework establishments that was bound to follow such a
terrific disaster. Joshua was right, and when the Explosives Act of
1875 was passed the factory at Brigham had anticipated nearly all its
requirements.
By this time Joshua was a widower. In 1865, at the age of twenty-eight,
he had married a pleasant young woman called Susan Yardley. After
presenting him with one boy who was christened Abraham, she died two
years later in producing another who was christened Caleb after his
grandfather.
The elder of these two boys reverted both in appearance and in
disposition to the Oriano stock, and old Mrs. Fuller—she is sixty-three
now and may no longer be called Letizia—took a bitter delight in never
allowing old Mr. Fuller to forget it. She found in the boy, now a flash
of Caterina’s eyes, now a flutter of Madame Oriano’s eyelids. She
would note how much his laugh was like her own long ago, and she would
encourage him at every opportunity to thwart the solicitude and defy
the injunctions of Aunt Achsah and Aunt Thyrza. When her son protested
against the way she applauded Abraham’s naughtiness, she only laughed.
“Bram’s all right.”
“I wish, mamma, you wouldn’t call him Bram,” Joshua protested. “It’s
so irreverent. I know that you despise the Bible, but the rest of
us almost worship it. I cannot abide this irreligious clipping of
Scriptural names. And it worries poor papa terribly.”
“It won’t worry your father half as much to hear Bram called Bram as
it’ll worry poor little Bram later on to be called Abraham. That boy’s
all right, Josh. He’s the best firework you’ve turned out of this
factory for many a day. So, don’t let Achsah and Thyrza spoil him.”
“They try their best to be strict, mamma.”
Public-domain text, read in full here on John Shaqi.
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