Roman Sepulchral Inscriptions: Their Relation to Archæology, Language, and ReligionKenrick, John
Religion
Roman Sepulchral Inscriptions: Their Relation to Archæology, Language, and Religion
Kenrick, John
Epitaphs -- Rome; Inscriptions, Latin
which imagination could fasten, and which it could readily invest with
supernatural attributes. He who looked on the Apollo of the Belvedere with
no other feeling than that he beheld the triumph of the sculptor's art in
action and expression, was overcome with a religious awe when he gazed on
the unmeaning faces and half-bestial forms of Egyptian deities. The genius
of Rome was tolerant of all religions but the true; a hearty belief in the
gods of his own Pantheon would not have prevented a Roman soldier from
doing homage to those of the country in which he was quartered, and
seeking thus to gain their favour or avert their displeasure. But this
will not account for the extensive diffusion of the worship of Phrygia and
Thrace, Persia and Egypt, throughout the Roman empire. It was certainly an
indication of a restless longing for something that could supply
nourishment to the craving for religious faith which exists in the heart
of man, and feeds itself on superstition when it can find no purer
aliment.
Among the sights of modern Rome there is none more interesting than that
long gallery of the Vatican called _Delle Lapidi_. On the right-hand wall
are encased the sepulcral and other monuments of emperors, consuls and
commanders of legions, with their numerous and pompous titles;
inscriptions to the gods and their priests. The elaborate and tasteful
ornaments, the finely-cut letters, the classical Latinity--all indicate
the rank and station of those by whom or in whose honour they were raised.
On the left are the Christian monuments, chiefly supplied by the
Catacombs, which, during the ages of the obscurity and persecution of the
Church, served the Christians for sanctuary and cemetery, and even for a
temporary dwelling-place. The slabs from their tombs are of coarse
material--not Parian, or Carrara marble, or Egyptian porphyry; the letters
are rudely made, the spelling and the syntax betray the humble rank and
imperfect literary attainments of those who supplied them. No mention is
made of ample space allotted to the tomb, no anxious care is expressed to
perpetuate the inheritance or provide for a long succession of occupants.
The Christian perhaps fell asleep in the expectation that the second
coming of his Lord, to call the tenants of the tomb to judgment, would not
be delayed beyond a few years. The Roman of family had three names; the
Christian had no _gens_ with which to claim affinity; he was a
proletarian, a mere unit amidst the millions. One simple name served to
identify him; his sepulcre might even be nameless--a circumstance of most
rare occurrence in regard to Pagan tombs.[129] How strikingly does the
contrast confirm the declaration of the Apostle, that "not many wise men
after the flesh, not many mighty, not many noble were called."[130] But to
this contrast there is another side. The heathen monuments represent a
decayed and dying superstition; the Christian, a living and triumphant
Public-domain text, read in full here on John Shaqi.
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