Roman Society from Nero to Marcus AureliusDill, Samuel
Philosophy
Roman Society from Nero to Marcus Aurelius
Dill, Samuel
Rome -- Religion; Rome -- Social life and customs
last of his race in the vault of the Domitii.(88) Nero must have had
something of that charm which leads women in every age to forget faults,
and even crimes in the men whom they have once loved. And the strange,
lingering superstition, which disturbed the early Church, and which looked
for his reappearance down to the eleventh century, could hardly have
gathered around an utterly mean and mediocre character.(89)
When Nero uttered the words “Qualis artifex pereo,”(90) he gave not only
his own interpretation of his life, he also revealed one great secret of
its ghastly failure. It may be admitted that Nero had a certain artistic
enthusiasm, a real ambition to excel.(91) He painted with some skill, he
composed verses not without a certain grace. In spite of serious natural
defects, he took endless pains to acquire the technique of a singer. Far
into the night he would sit in rapt enthusiasm listening to the effects of
Terpnus, and trying to copy them.(92) His artistic tour in Greece, which
lowered him so much in the eyes of the West, was really inspired by the
passion to find a sympathetic audience which he could not find at Rome.
And, in spite of his arrogance and vanity, he had a wholesome deference
for the artistic judgment of Greece. Yet it is very striking that in the
records of his reign, the most damning accusation is that he disgraced the
purple by exhibitions on the stage. His songs to the lyre, his
impersonation of the parturient Canace or the mad Hercules, did as much to
cause his overthrow as his murders of Britannicus and Agrippina.(93) The
stout Roman soldier and the Pythagorean apostle have the same scorn for
the imperial charioteer and actor. A false literary ambition, born of a
false system of education, was the bane of Roman culture for many ages.
The dilettante artist on the throne in the first century had many a
successor in the literary arts among the grand seigneurs of the fifth.
They could play with their ingenious tricks of verse in sight of the
Gothic camp-fires. He could contend for the wreath at Olympia when his
faithful freedman was summoning him back by the news that the West was
seething with revolt.(94)
Public-domain text, read in full here on John Shaqi.
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