Their faces are, as a rule, not
pleasant to look upon; and I think, at first, with something of the "old
bogey" belief of childhood, you feel more comfortable when they are not
too close to you; but, ere long, this feeling wears away, and you gaze at
the priests and at the beggars with the same stolid indifference.
You are getting, by this time, into the heart of the city, ever and anon
the streets pass through some square or piazza, each like the other. In
the centre stands a broken fountain, moss-grown and weedy, whence the
water spouts languidly; on the one side is a church, on the other some
grim old palace, which from its general aspect, and the iron bars before
its windows, bears a striking resemblance to Newgate gone to ruin. Grass
grows between the flag-stones, and the piazza is emptier, quieter, and
cleaner than the street, but that is all. You stop and enter the first
church or two, but your curiosity is soon satisfied. Dull and bare
outside, the churches are gaudy and dull within. When you have seen one,
you have seen all. A crippled beggar crouching at the door, a few common
people kneeling before the candle-lighted shrines, a priest or two
mumbling at a side-altar, half-a-dozen indifferent pictures and a great
deal of gilt and marble everywhere, an odour of stale incense and mouldy
cloth, and, over all, a dim dust-discoloured light. Fancy all this, and
you will have before you a Roman church. On your way you pass no fine
buildings, for to tell the honest truth, there are no fine buildings in
Rome, except St Peter's and the Colosseum, both of which lie away from
the town. Fragments indeed of old ruins, porticoes built into the wall,
bricked-up archways and old cornice-stones, catch your eye from time to
time; and so, on and on, over broken pavements, up and down endless
hills, through narrow streets and gloomy piazzas, by churches
innumerable, amidst an ever-shifting motley crowd of peasants, soldiers,
priests, and beggars, you journey onwards for two miles or so; you have
got at last to the modern quarter, where hotels are found, and where the
English congregate. There in the "Corso," and in one or two streets
leading out of it, there are foot-pavements, lamps at night, and windows
to the shops. A fair sprinkling of second-rate equipages roll by you,
bearing the Roman ladies, with their gaudy dresses, ill-assorted colours,
and their heavy, handsome, sensual features. The young Italian nobles,
with their English-cut attire, saunter past you listlessly. The peasants
are few in number now, but the soldiers and priests and beggars are never
wanting. These streets and shops, brilliant though they seem by contrast
with the rest of the city, would, after all, only be third-rate ones in
any other European capital, and will not detain you long. On again by
the fountain of Treves, where the water-stream flows day and night
through the defaced and broken statue-work; a few steps more, and then
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account