Biography; Frontier and pioneer life -- Dakota Territory; Roosevelt, Theodore, 1858-1919
In weaving my material into a connected narrative I have consciously
departed from fact in only one respect. Certain names--a half-dozen
or so in all--are fictitious. In certain cases, in which the story I
had to tell might give needless offense to the actors in it still
surviving, or to their children, and in which I was consequently
confronted by the alternative of rejecting the story in question or
changing the names, I chose the latter course without hesitation. It
is quite unessential, for instance, what the real name was of the lady
known in this book as "Mrs. Cummins"; but her story is an important
element in the narrative. To those who may recognize themselves under
the light veil I have thrown over their portraits, and may feel
grieved, I can only say that, inasmuch as they were inhabitants of the
Bad Lands when Theodore Roosevelt and the Marquis de Mores shaped
their destinies there for good or ill, they became historical figures
and must take their chances at the judgment seat of posterity with
Nebuchadnezzar and Caesar and St. Augustine and Calamity Jane.
The Northwestern newspapers of the middle eighties contain much
valuable material, not only about the Marquis and his romantic
enterprises, which greatly interested the public, but about Roosevelt
himself. The files of the _Press_ of Dickinson, North Dakota, and the
_Pioneer_ of Mandan, have proved especially useful, though scarcely
more useful than those of the Bismarck _Tribune_, the Minneapolis
_Journal_, and the _Dispatch_ and _Pioneer Press_ of St. Paul. The cut
of Roosevelt's cattle-brands, printed on the jacket, is reproduced
from the _Stockgrowers' Journal_ of Miles City. I have sought high and
low for copies of the _Bad Lands Cowboy_, published in Medora, but
only one copy--Joe Ferris's--has come to light. "'Bad-man'
Finnegan," it relates among other things, "is serving time in the
Bismarck penitentiary for stealing Theodore Roosevelt's boat." But
that is a part of the story; and this is only a Preface.
Public-domain text, read in full here on John Shaqi.
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