In 1860, she gave up her studio in the Rue d'Assas, as well as the one
at Chevilly, in order to install herself at By, in the chateau of By
which she had purchased for 50,000 francs and in which she had a vast
studio constructed. Hither she transferred her imposing menagerie
which had grown year by year through new acquisitions. It included
sheep, gazelles, stags, does, kids, an eagle, various other birds,
horses, goats, watch dogs, hunting dogs, greyhounds, wild boars,
lions, a yak (an animal known by the name of the grunting ox of
Tartary), monkeys, parrakeets, marmosets, squirrels, ferrets, turtles,
green lizards, Iceland ponies, moufflons, lizards, wild American
mustangs, bulls, cows, etc.
Rosa Bonheur worked with desperate energy in the midst of her models
and delighted in portraying them in a setting of some one of those
picturesque and impressive vistas of the forest of Fontainebleau,
adjacent to her own residence. She was unremittingly productive; yet
France hardly heard her name mentioned save as an echo of her triumphs
abroad. England has gone wild over her paintings; and America was not
slow in following suit.
But the echo was so loud, especially after the Universal Exposition at
London in 1862, that the government three years later made her
Chevalier of the Legion of Honour. Rosa Bonheur has given her own
account of the event:
"In 1865," she writes, "I was busily engaged one afternoon over my
pictures (I had the _Stags at Long-Rocher_ on my easel), when I heard
the cracking of a postillion's whip and the rumble of a carriage. My
little maid Félicité entered the studio in great excitement:
"'Mademoiselle, mademoiselle! Her Majesty the Empress!'
"I had barely time to slip on a linen skirt and exchange my long blue
blouse for a velvet jacket.
"'I have here,' the empress told me, 'a little gift which I have
brought you on behalf of the Emperor. He has authorized me to take
advantage of the last day of my regency to announce your appointment
to the Legion of Honour.'
"And in conferring the title, she kissed the newly made Chevalier and
pinned the cross upon my velvet jacket. A few days later I received an
invitation to take breakfast at Fontainebleau where the Imperial Court
was installed. On the appointed day, they sent to fetch me in gala
equipage. On arriving, I mistook the door and was about to lose my
way, when M. Mocquard came to my rescue and offered his arm to escort
me. At breakfast, I was placed beside the Emperor and throughout the
whole repast he talked to me regarding the intelligence of animals.
The Empress afterwards took me for an excursion on the lake in a
gondola. The Prince Imperial, who had previously called upon me at By,
accompanied us. This visit to the Court greatly interested me, but I
think that I must have been a disappointment to Princess Metternich
who amused herself with watching my every movement, expecting no doubt
to see me commit some breach of etiquette."
Public-domain text, read in full here on John Shaqi.
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