Roses: Four One-Act Plays: Streaks of Light—The Last Visit—Margot—The Far-away PrincessSudermann, Hermann
General
Roses: Four One-Act Plays: Streaks of Light—The Last Visit—Margot—The Far-away Princess
Sudermann, Hermann
German drama -- Translations into English
_On the left, in the foreground, a Louis Sixteenth sofa with table and
gilded chairs to match. On the wall above, an old mirror. Near the
sofa, a tapestried doorway. A chandelier wrapped in a dusty gauze
covering is suspended from the ceiling. A four-post bed with hangings
of light net takes up the right side of the stage. In the foreground,
in front of the bed, a table with plates, glasses, wine-decanters, and
provisions on it. A coffee percolator stands under the table. In the
middle of the stage, a little to the right, a chaise-longue. At the
head of it, a small table. Between the large door and the windows,
dusty marble busts on dilapidated pedestals. Above them, on the walls,
a collection of various sorts of weapons. The Oriental rugs which are
thrown about the floor and over the chaise-longue contrast strangely
with the faded splendour of the past._
_The whole room is decorated with roses. On the table at the left is a
bronze vessel of antique design overflowing with roses. Garlands of
roses hang from the chandelier and encircle the bedposts. On the small
table near the chaise-longue, a large, flat dish, also filled with
roses. In fact wherever there is any place for these flowers, they have
been used in profusion._
_Part of the table which stands in front of the sofa is covered by a
napkin, upon which are seen a bottle of wine and the remains of a
luncheon for one. It is a sultry afternoon in midsummer._
Julia _lies on the chaise-longue, asleep. She is a beautiful woman,
about twenty-five years of age, intractable and passionate, with traces
of a bourgeois desire to be "romantic." She is dressed in white,
flowing draperies, fantastically arranged._
_A tower clock strikes four. Then the bells of the castle are heard
ringing. Both seem to be at a distance of about two hundred paces._
Pierre _enters cautiously through the tapestried doorway at the left.
He is a fashionably dressed, aristocratic young fellow who has been
petted and spoiled. He is effeminate, cowardly, arrogant, and is trying
to play the passionate man, although inwardly cold and nervous._
Julia.
(_Laughs in her sleep. Her laughter dies out in groans._) Pierre!
Pierre! Help! Pierre!
Pierre (_bending over her_).
Yes, yes. What is it?
Julia.
Nothing-- (_Laughs and goes on sleeping_).
Pierre (_straightening up_).
Whew How hot it is! (_He stares at_ Julia, _his face distorted by fear
and anger, and beats his forehead. Then indicating the outstretched
form of the woman._) Beautiful!--You beautiful animal--you! (_Kneels_.
Julia _holds out her arms to him, but he evades her embrace._) Stop!
Wake up!
Julia (_tearfully_).
Please let me sleep.
Pierre.
No! Wake up! I've only come for a moment. It's tea-time, and I have to
go back to the house.
Julia.
Please stay!
Public-domain text, read in full here on John Shaqi.
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