During the years 1869 to 1871, and the two following which Rossetti spent at Kelmscott, he was at work on a number of fairly important new canvases in addition to the retouching of old ones. A sprinkling of crayons and small pictures also has to be mentioned. These include the _Rosa Triplex_, a study of three heads from one sitter, now in the Tate Gallery, and _Penelope_, a crayon drawing of a seated figure, which is unique in the respect that it was done from a favourite model of Sir Edward Burne-Jones. Throughout the year 1870, with one or two exceptions, Mrs. Morris's is the face which figures in Rossetti's work. It is to be seen, for instance, in the fine picture called _Mariana_, really a first attempt at the portrait in the Tate Gallery lent by Mrs. Morris, to which a second figure was subsequently added. In 1871 he painted the picture of _Pandora_, of which Mr. Swinburne says, in his "Essays and Studies," that "it is amongst the mightiest of all Rossetti's works in its God-like terror and imperial trouble of beauty." The figure is clad in a long robe of Venetian red, and is holding the fateful casket, from which issues a red smoke, curling all round into clustering shapes, like flame-winged seraph curses. _Water-willow_, a little quarter-length figure with a river landscape behind, done in the same year, is interesting from the fact that it is a portrait of Mrs. Morris, and that the view represents Kelmscott. We now come to the picture of _Dante's Dream_, begun in 1870 and finished towards the close of 1871, Rossetti's most important work in the opinion of many people, and considerably his largest. The subject is that of the little early water-colour painted in 1856, namely the vision related by Dante as having come to him of Beatrice lying in death, and the angels bearing upward her soul in the form of "an exceedingly white cloud." The picture is more fully described elsewhere. [Illustration: MARIANA.] Impressive as _Dante's Dream_ may be, it is not to be classed on all grounds with Rossetti's finest work. Yet it has been the object of boundless admiration. It has even been said that if no other of Rossetti's works survived but this and the _Beata Beatrix_, they alone would be enough to ensure him a place among the few great artists of the world.