Round the Block: An American NovelBouton, John Bell
General
Round the Block: An American Novel
Bouton, John Bell
City and town life -- Fiction; Male friendship -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction
Near the centre of the north side of the block stood a house in which
three men, who have much to do in this story, were whiling away an hour
before dinner, at the edge of evening, in the month of December, 185-.
The house had strange stones let in over the windows and door, and was
broad and sturdy, and was entered by steps slightly worn, and was shaded
by a tall and old chestnut tree, and showed many signs of age. It was
because of these evidences of antiquity, although the house was in good
preservation and vastly comfortable, that it had been picked out and
rented by the three men, two weeks previously.
Yet the three men exhibited no marks of age, past or coming, upon them.
The oldest, Mr. Marcus Wilkeson, looked no more than thirty-two; but
frankly owned to thirty-six. Being six feet and two inches high, having
a slim figure, round face, smooth brow, gentle eyes, perfect teeth to
the utmost extent of his laugh, and a head of hair free from the
plague-spot of incipient baldness which haunts the young men of this
generation, his appearance, now that he was confessedly a man, was very
much like that of an overgrown boy. On the contrary, when he was really
a boy, his extraordinary height (six feet at sixteen years) had given
him the outward semblance of a premature man. Probably his long legs and
arms, which were exceedingly supple, and were always swinging about with
a certain juvenile awkwardness, contributed much to the youthfulness of
his appearance.
At the time of his introduction here, his legs were as quiet as in their
nature they could be, having been elevated, for the greater comfort of
the owner, to the top of a pianoforte, and presenting an inclination of
forty-five degrees to Mr. Wilkeson's body, reposing calmly and smoking
an antique pipe in his favorite chair below. One of his long arms was
hanging listlessly by his side, and the other made a sharp projecting
elbow, and terminated in the interior of his vest. This was the attitude
which, of all possible adjustments of the human anatomy, Mr. Wilkeson
preferred; and he always assumed it and his pipe the moment he had put
on his dressing gown and Turkey slippers. He was well aware that popular
treatises on the "Art of Behavior" and the "Code of Politeness" were
extremely hard upon this disposition of the legs. His half-sister,
Philomela Wilkeson, who was high authority, had often visited his legs
with the severest censure, when, upon suddenly entering the room where
he was seated, she found the offending members confronting her from the
top of the piano, or the table, or a chair, or sometimes from the
mantelpiece. While Marcus Wilkeson admitted the full force of her
strictures as applied to legs in general, he claimed an exception for
his legs, which were always in his own or other people's way when they
rested on the floor, or were crossed after the many fashions popular
with the short-legged part of mankind.
Public-domain text, read in full here on John Shaqi.
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