England -- Social life and customs -- 19th century -- Fiction
“One evening, I was sitting alone in Saint James’ Square; my lord off at
the club with Mr. Fox and others: he had left me, thinking that I should
go to one of the many places to which I had been invited for that
evening; but I had no heart to go anywhere, for it was poor Urian’s
birthday, and I had not even rung for lights, though the day was fast
closing in, but was thinking over all his pretty ways, and on his warm
affectionate nature, and how often I had been too hasty in speaking to
him, for all I loved him so dearly; and how I seemed to have neglected
and dropped his dear friend Clément, who might even now be in need of
help in that cruel, bloody Paris. I say I was thinking reproachfully of
all this, and particularly of Clément de Créquy in connection with
Urian, when Fenwick brought me a note, sealed with a coat-of-arms I knew
well, though I could not remember at the moment where I had seen it. I
puzzled over it, as one does sometimes, for a minute or more, before I
opened the letter. In a moment I saw it was from Clément de Créquy. ‘My
mother is here,’ he said: ‘she is very ill, and I am bewildered in this
strange country. May I entreat you to receive me for a few minutes?’
The bearer of the note was the woman of the house where they lodged. I
had her brought up into the anteroom, and questioned her myself, while
my carriage was being brought round. They had arrived in London a
fortnight or so before: she had not known their quality, judging them
(according to her kind) by their dress and their luggage; poor enough,
no doubt. The lady had never left her bed-room since her arrival; the
young man waited upon her, did everything for her, never left her, in
fact; only she (the messenger) had promised to stay within call, as soon
as she returned, while he went out somewhere. She could hardly
understand him, he spoke English so badly. He had never spoken it, I
dare say, since he had talked to my Urian.”
CHAPTER V.
Public-domain text, read in full here on John Shaqi.
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