Rowlandson the Caricaturist; a Selection from His Works. Vol. 2Grego, Joseph
History
Rowlandson the Caricaturist; a Selection from His Works. Vol. 2
Grego, Joseph
English wit and humor, Pictorial; Rowlandson, Thomas, 1756-1827
The grave omission with which we have to charge Nollekens' biographer,
usually so amazingly fertile in individualistic traits of everyone he
knew--and he seems to have been fairly acquainted with, or to have
something amusing to impart about, nearly everybody of any note--in
respect to the caricaturist, of whom his writings make no sort of
mention, is the more to be regretted, since it was probably a sly hint
imparted by 'Antiquity Smith' which produced the picture of the gifted
old miser at work on one of his cherished subjects--a whimsical study,
doubtless founded on a special visit of observation, instituted, with
Nollekens' old pupil, for the very purpose. As regards the sculptor's
portrait, which is seemingly caricatured, John Thomas Smith comes in
as aptly with his description[1] as if the two sittings had taken
place simultaneously, and the biographer and artist had worked _en
collaboration_:--'His figure was short, his head big, and it appeared
much increased by a large-crowned hat, of which he was very fond. His
neck was short, his shoulders narrow, his body too large, particularly
in the front lower part; he was bow-legged and hook-nosed; indeed,
his leg was somewhat like his nose, which resembled the rudder of an
Antwerp packet-boat; his lips were rather thin, but between his brows
there was great evidence of study.'
[Illustration: PREPARATIONS FOR THE ACADEMY. OLD JOSEPH NOLLEKENS AND
HIS VENUS.]
As to 'his Venuses' Mrs. Nollekens invariably continued to express
the most derogatory opinions, since she regarded his fair models
as 'abandoned huzzies, with whom she had no patience,' regarding
her eccentric spouse as quite on their level, for she cherished the
extraordinary conviction that after his marriage he ought to have
'dispensed with such people.' While Mrs. Nollekens was unduly mindful
of her husband's favourite models, it seems these ladies, under altered
circumstances, occasionally amused themselves by reminding the sculptor
of their former acquaintance, on which pleasant fact his biographer
does not fail to enlarge, in more than one instance:--
Public-domain text, read in full here on John Shaqi.
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