Rowlandson the Caricaturist; a Selection from His Works. Vol. 2 — John Shaqi
Rowlandson the Caricaturist; a Selection from His Works. Vol. 2Grego, Joseph
History
Rowlandson the Caricaturist; a Selection from His Works. Vol. 2
Grego, Joseph
English wit and humor, Pictorial; Rowlandson, Thomas, 1756-1827
'Our sculptor would sometimes amuse himself, on a summer's evening,
by standing with his arms behind him at the yard-gate, which opened
into Titchfield Street. During one of these indulgences, as a lady was
passing, most elegantly dressed, attended by a strapping footman in
silver-laced livery, with a tall gilt-headed cane, she nodded to him,
and, smiling, asked him if he did not know her. On his reply that he
did not recollect her, "What, sir!" exclaimed she, "do you forget Miss
Coleman, who brought a letter to you from Charles Townley, to compare
limbs with your Venus? Why, I have been with you twenty times in that
little room, to stand for your Venus." "Oh! _lawk-a-daisy_, so you
have!" answered Nollekens. "Why, what a fine woman you're grown! Come,
walk in, and I'll show you your figure--I have done it in marble."
After desiring the man to stop at the gate she went in with him; and
upon seeing Mrs. Nollekens at the parlour-window, who was pretending
to talk to and feed her sister's bullfinch, but who had been informed
by the vigilant Bronze (the eccentric maid-servant of this odd pair)
of what had been going on at the gate, she went up to her and said,
"Madam, I have to thank----." Mrs. Nollekens then elevated herself on
her toes, and, with a lisping palpitation, began to address the lady.
"Oh, dear," observed Miss Coleman, "and you don't know me! You have
given me many a basin of broth in the depth of winter, when I used
to stand for Venus." Mrs. Nollekens, not knowing what to think of
Joseph, shook her head at him as she slammed the window, at the same
time exclaiming, "Oh, fie! Mr. Nollekens! Fie! fie!" Bronze assured me
that when her master went into the front parlour he had a pretty warm
reception. "What!" said her mistress, "to know such wretches after you
have done with them in your studio!"'
In Rowlandson's picture the sculptor is actually at work on a Venus and
Cupid; one of his most successful models.[2]
1800. _Rainbow Tavern, in Fleet Street, in 1800._
1800. _Remarks on a Tour to North and South Wales in the year 1797_,
by Henry Wigstead, with plates from Rowlandson, Pugh, Howitt, &c.
(Aquatinted by J. Hill.) London: Published by W. Wigstead, 40 Charing
Cross. 8vo.--The particulars of the tour undertaken under these
auspices are thus briefly set forth by one of the travellers:--
'The romantic and picturesque scenery of North and South Wales,
having within these few years been considered highly noticeable and
attractive, I was induced to visit this Principality with my friend Mr.
Rowlandson, whose abilities as an artist need no eulogium from me. We
left London in August 1797, highly expectant of gratification: nor were
our highest hopes in the least frustrated.
Public-domain text, read in full here on John Shaqi.
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