Courts and courtiers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
Occasionally the people outside in the town and park also were allowed
to see that mamma loved us. For while Albrecht drove or rode--bad rider
though he was--with the Grand Duke early in the morning, Klaus Heinrich
and Ditlinde had from time to time to take turns at accompanying mamma
on her drives, which took place in the spring and autumn at the time of
the afternoon promenade, with Baroness von Schulenburg-Tressen in
attendance. Klaus Heinrich was a little excited and feverish before
these drives, to which unfortunately no enjoyment, but on the contrary a
great deal of trouble and effort attached. For, directly the open
carriage came out through the Lions Gate on to the Albrechtsplatz, past
the grenadiers at the "present," there were a lot of people collected,
waiting for it--men, women, and children, who shouted and stared full of
curiosity; and that meant pulling oneself together, sitting up erect,
smiling, hiding the left hand, and saluting in such a way as to make the
people happy. And so it went on right through the city and the fields.
Other vehicles were obliged to keep away from ours; the police looked to
that. But the foot-passengers stood on the kerb, the women curtseyed,
the men took off their hats and looked with eyes full of devotion and
importunate curiosity,--and this was the impression Klaus Heinrich got:
that they all were there just to be there and to stare, while he was
there to show himself and to be stared at; and his was far the harder
part. He kept his left hand in his coat-pocket and smiled as mamma
wished him to, while he felt that his cheeks were aglow. But the
_Courier_ reported that the rosy redness of our little duke's cheeks
showed what a healthy boy he was.
Klaus Heinrich was thirteen years old when he stood at the solitary
mother-of-pearl table in the middle of the cold silver hall, and tried
to probe the reality of things around him. And as he scrutinized the
various phenomena: the empty, torn pride of the room, aimless and
uncomfortable, the symmetry of the white candles, which seemed to
express awe and tension and discreet self-obliteration, the passing
shadow on his father's face when anybody addressed him unasked, the cool
and calculated beauty of his mother, whose one object was admiration,
the devoted and importunately curious gaze of the people outside--then a
suspicion seized him, a vague and approximate conception of his
situation. But simultaneously horror seized him, terror at such a
destiny, a dread of his "exalted calling," so strong that he turned
round and covered his eyes with both his hands--both, the little
wrinkled left one too--and sank down at the lonely table and cried,
cried from sympathy with himself and his heart--till they came, and
wrung their hands and turned their eyes up to heaven and questioned him,
and led him away.... He gave out that he had been frightened, and that
was quite true.
Public-domain text, read in full here on John Shaqi.
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