Rubáiyát of Omar Khayyám, and Salámán and Absál: Together with a Life of Edward Fitzgerald and an Essay on Persian Poetry by Ralph Waldo Emerson — John Shaqi
Rubáiyát of Omar Khayyám, and Salámán and Absál: Together with a Life of Edward Fitzgerald and an Essay on Persian Poetry by Ralph Waldo EmersonOmar Khayyam
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Rubáiyát of Omar Khayyám, and Salámán and Absál: Together with a Life of Edward Fitzgerald and an Essay on Persian Poetry by Ralph Waldo Emerson
Omar Khayyam
Persian poetry -- Translations into English
THE TRUTH GOD ONLY KNOWS.
PERSIAN
POETRY
AN ESSAY BY
RALPH WALDO EMERSON
To Baron Von Hammer-Purgstall, who died in Vienna in 1856, we owe our
best knowledge of the Persians. He has translated into German, besides
the "Divan" of Hafiz, specimens of two hundred poets, who wrote during a
period of five and a half centuries, from A.D. 1050 to 1600. The seven
masters of the Persian Parnassus—Firdousi, Enweri, Nisami,
Dschelaleddin, Saadi, Hafiz, and Dschami[D]—have ceased to be empty
names; and others, like Ferideddin Attar and Omar Chiam, promise to rise
in Western estimation. That for which mainly books exist is communicated
in these rich extracts. Many qualities go to make a good telescope,—as
the largeness of the field, facility of sweeping the meridian,
achromatic purity of lenses, and so forth,—but the one eminent value is
the space penetrating power; and there are many virtues in books,—but
the essential value is the adding of knowledge to our stock, by the
record of new facts, and, better, by the record of intuitions, which
distribute facts, and are the formulas which supersede all histories.
Oriental life and society, especially in the Southern nations, stand in
violent contrast with the multitudinous detail, the secular stability,
and the vast average of comfort of the Western nations. Life in the East
is fierce, short, hazardous, and in extremes. Its elements are few and
simple, not exhibiting the long range and undulation of European
existence, but rapidly reaching the best and the worst. The rich feed on
fruits and game,—the poor on a watermelon's peel. All or nothing is the
genius of Oriental life. Favour of the Sultan, or his displeasure, is a
question of Fate. A war is undertaken for an epigram or a distich, as in
Europe for a duchy. The prolific sun, and the sudden and rank plenty
which his heat engenders, make subsistence easy. On the other side, the
desert, the simoom, the mirage, the lion, and the plague endanger it,
and life hangs on the contingency of a skin of water more or less. The
very geography of old Persia showed these contrasts. "My father's
empire," said Cyrus to Xenophon, "is so large, that people perish with
cold, at one extremity, whilst they are suffocated with heat, at the
other." The temperament of the people agrees with this life in
extremes. Religion and poetry are all their civilization. The religion
teaches an inexorable Destiny. It distinguishes only two days in each
man's history—his birthday, called _the Day of the Lot_, and the Day of
Judgment. Courage and absolute submission to what is appointed him are
his virtues.
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