Rubáiyát of Omar Khayyám, and Salámán and Absál: Together with a Life of Edward Fitzgerald and an Essay on Persian Poetry by Ralph Waldo EmersonOmar Khayyam
GeneralSufism
Rubáiyát of Omar Khayyám, and Salámán and Absál: Together with a Life of Edward Fitzgerald and an Essay on Persian Poetry by Ralph Waldo Emerson
Omar Khayyam
Persian poetry -- Translations into English
The favour of the climate making subsistence easy and encouraging an
outdoor life, allows to the Eastern nations a highly intellectual
organization,—leaving out of view, at present, the genius of the
Hindoos (more Oriental in every sense), whom no people have surpassed in
the grandeur of their ethical statement. The Persians and the Arabs,
with great leisure and few books, are exquisitely sensible to the
pleasures of poetry. Layard has given some details of the effect which
the _improvvisatori_ produced on the children of the desert. "When the
bard improvised an amatory ditty, the young chief's excitement was
almost beyond control. The other Bedouins were scarcely less moved by
these rude measures, which have the same kind of effect on the wild
tribes of the Persian mountains. Such verses, chanted by their
self-taught poets, or by the girls of their encampment, will drive
warriors to the combat, fearless of death, or prove an ample reward, on
their return from the dangers of the _ghazon_, or the fight. The
excitement they produce exceeds that of the grape. He who would
understand the influence of the Homeric ballads in the heroic ages
should witness the effect which similar compositions have upon the wild
nomads of the East." Elsewhere he adds, "Poetry and flowers are the wine
and spirits of the Arab; a couplet is equal to a bottle, and a rose to a
dram, without the evil effect of either."
The Persian poetry rests on a mythology whose few legends are connected
with the Jewish history, and the anterior traditions of the Pentateuch.
The principal figure in the allusions of Eastern poetry is Solomon.
Solomon had three talismans; first, the signet-ring, by which he
commanded the spirits, on the stone of which was engraven the name of
God; second, the glass, in which he saw the secrets of his enemies, and
the causes of all things, figured; the third, the east-wind, which was
his horse. His counsellor was Simorg, king of birds, the all-wise fowl,
who had lived ever since the beginning of the world, and now lives alone
on the highest summit of Mount Kaf. No fowler has taken him, and none
now living has seen him. By him Solomon was taught the language of
birds, so that he heard secrets whenever he went into his gardens. When
Solomon travelled, the throne was placed on a carpet of green silk, of a
length and breadth sufficient for all his army to stand upon,—men
placing themselves on his right hand, and the spirits on his left. When
all were in order, the east-wind, at his command, took up the carpet and
transported it, with all that were upon it, whither he pleased,—the
army of birds at the same time flying overhead, and forming a canopy to
shade them from the sun. It is related that when the Queen of Sheba came
to visit Solomon, he had built, against her arrival, a palace, of which
the floor or pavement was of glass, laid over running water, in which
fish were swimming. The Queen of Sheba was deceived thereby, and raised
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