Rubáiyát of Omar Khayyám, and Salámán and Absál: Together with a Life of Edward Fitzgerald and an Essay on Persian Poetry by Ralph Waldo Emerson — John Shaqi
Rubáiyát of Omar Khayyám, and Salámán and Absál: Together with a Life of Edward Fitzgerald and an Essay on Persian Poetry by Ralph Waldo EmersonOmar Khayyam
GeneralSufism
Rubáiyát of Omar Khayyám, and Salámán and Absál: Together with a Life of Edward Fitzgerald and an Essay on Persian Poetry by Ralph Waldo Emerson
Omar Khayyam
Persian poetry -- Translations into English
"To be wise the dull brain so earnestly throbs,
Bring bands of wine for the stupid head."
"The Builder of heaven
Hath sundered the earth,
So that no footway
Leads out of it forth.
"On turnpikes of wonder
Wine leads the mind forth,
Straight, sidewise, and upward,
West, southward, and north.
"Stands the vault adamantine
Until the Doomsday;
The wine-cup shall ferry
Thee o'er it away."
That hardihood and self-equality of every sound nature, which result
from the feeling that the spirit in him is entire and as good as the
world, which entitle the poet to speak with authority, and make him an
object of interest, and his every phrase and syllable significant, are
in Hafiz, and abundantly fortify and ennoble his tone.
His was the fluent mind in which every thought and feeling came readily
to the lips. "Loose the knots of the heart," he says. We absorb elements
enough, but have not leaves and lungs for healthy perspiration and
growth. An air of sterility, of incompetence to their proper aims,
belongs to many who have both experience and wisdom. But a large
utterance, a river that makes its own shores, quick perception and
corresponding expression, a constitution to which every morrow is a new
day, which is equal to the needs of life, at once tender and bold, with
great arteries,—this generosity of ebb and flow satisfies, and we
should be willing to die when our time comes, having had our swing and
gratification. The difference is not so much in the quality of men's
thoughts as in the power of uttering them. What is pent and smouldered
in the dumb actor is not pent in the poet, but passes over into new
form, at once relief and creation.
The other merit of Hafiz is his intellectual liberty, which is a
certificate of profound thought. We accept the religions and politics
into which we fall; and it is only a few delicate spirits who are
sufficient to see that the whole web of convention is the imbecility of
those whom it entangles,—that the mind suffers no religion and no
empire but its own. It indicates this respect to absolute truth by the
use it makes of the symbols that are most stable and reverend, and
therefore is always provoking the accusation of irreligion.
Hypocrisy is the perpetual butt of his arrows.
"Let us draw the cowl through the brook of wine."
He tells his mistress that not the dervis, or the monk, but the lover,
has in his heart the spirit which makes the ascetic and the saint; and
certainly not their cowls and mummeries, but her glances, can impart to
him the fire and virtue needful for such self-denial. Wrong shall not be
wrong to Hafiz, for the name's sake. A law or statute is to him what a
fence is to a nimble school-boy,—a temptation for a jump. "We would do
nothing but good, else would shame come to us on the day when the soul
must hie hence; and should they then deny us Paradise, the Houris
themselves would forsake that, and come out to us."
Public-domain text, read in full here on John Shaqi.
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