Rubáiyát of Omar Khayyám, and Salámán and Absál: Together with a Life of Edward Fitzgerald and an Essay on Persian Poetry by Ralph Waldo EmersonOmar Khayyam
GeneralSufism
Rubáiyát of Omar Khayyám, and Salámán and Absál: Together with a Life of Edward Fitzgerald and an Essay on Persian Poetry by Ralph Waldo Emerson
Omar Khayyam
Persian poetry -- Translations into English
the verses came to the ear of Timour in his palace. Timour taxed Hafiz
with treating disrespectfully his two cities, to raise and adorn which
he had conquered nations. Hafiz replied, "Alas, my lord, if I had not
been so prodigal, I had not been so poor!"
The Persians had a mode of establishing copyright the most secure of any
contrivance with which we are acquainted. The law of the _ghaselle_, or
shorter ode, requires that the poet insert his name in the last stanza.
Almost every one of several hundreds of poems of Hafiz contains his name
thus interwoven more or less closely with the subject of the piece. It
is itself a test of skill, as this self-naming is not quite easy. We
remember but two or three examples in English poetry; that of Chaucer,
in the "House of Fame": Jonson's epitaph on his son,—
"Ben Jonson his best piece of poetry":
and Cowley's,—
"The melancholy Cowley lay."
But it is easy to Hafiz. It gives him the opportunity of the most
playful self-assertion, always gracefully, sometimes almost in the fun
of Falstaff, sometimes with feminine delicacy. He tells us, "The angels
in heaven were lately learning his last pieces." He says, "The fishes
shed their pearls, out of desire and longing as soon as the ship of
Hafiz swims the deep."
"Out of the East, out of the West, no man understands me;
O, the happier I, who confide to none but the wind!
This morning heard I how the lyre of the stars resounded,
'Sweeter tones have we heard from Hafiz!'"
Again,—"I heard the harp of the planet Venus, and it said in the early
morning, 'I am the disciple of the sweet-voiced Hafiz!'" And
again,—"When Hafiz sings, the angels hearken, and Anaitis, the leader
of the starry host, calls even the Messiah in heaven out to the dance."
"No one has unveiled thoughts like Hafiz, since the locks of the
Word-bride were first curled." "Only he despises the verse of Hafiz who
is not himself by nature noble."
But we must try to give some of these poetic flourishes the metrical
form which they seem to require:—
"Fit for the Pleiad's azure chord
The songs I sung, the pearls I bored."
Another:—
"I have no hoarded treasure,
Yet have I rich content;
The first from Allah to the Shah,
The last to Hafiz went."
Another:—
"High heart, O Hafiz! though not thine
Fine gold and silver ore;
More worth to thee the gift of song,
And the clear insight more."
Again:—
"O Hafiz speak not of thy need;
Are not these verses thine?
Then all the poets are agreed,
No man can less repine."
Public-domain text, read in full here on John Shaqi.
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