Rugs: Oriental and Occidental, Antique & Modern: A Handbook for Ready Reference — John Shaqi
Rugs: Oriental and Occidental, Antique & Modern: A Handbook for Ready ReferenceHolt, Rosa Belle
History
Rugs: Oriental and Occidental, Antique & Modern: A Handbook for Ready Reference
Holt, Rosa Belle
Rugs; Rugs, Oriental
Among Orientals a good deal of significance has attached, from the
earliest days, to color. In Babylon scarlet was the symbol of fire, blue
of air, and purple of water. Tyrian purple was an exquisite and rare
shade of crimson. Many allusions are made to it by classical writers.
The principal colors of the ancient Egyptians were red, yellow, and
blue. Black was the symbol of error. White signified a holy life,
purity, innocence of soul. The priests of Zeus and of Osiris were robed
in white. Red was the symbol of zeal for the faith. Yellow was supposed
to bring evil and sorrow. Blue was the symbol of truth. Black and white
were often used to outline other colors.
The Persians, unlike most other Orientals, are not fond of bright
colors. They are apt to avoid the light shades of red and green as being
too showy, and further, as being liable to fade. Greens and yellows in
dark shades they treat with more favor. They consider black and indigo
as the symbols of sorrow; rose is the symbol of Divine Wisdom; green
represents initiation into the knowledge of the Most High.
Among the Chinese, yellow is the symbol of royalty. The Emperor of
China and his sons may wear yellow robes; their descendants wear yellow
sashes and have yellow bridles for their horses. Red is the symbol of
truth, virtue, and sincerity. It is the color of the highest degree of
official rank. White is the symbol of mourning; black represents vice
and depravity.
In Turkey, green is the most sacred color; and for that reason a true
follower of Mahomet will not permit it to be used in his rugs, for fear
it may be profaned by being stepped upon. Thirty-five or forty years ago
no Christian was allowed to wear even a vestige of green anywhere upon
him, while in Turkey; but this law is not now so rigidly enforced. If
the Prophet or any of his family wear this color, no objection is
raised, as he and they are considered holy, and thus exempt from the
penalty. White is the color permitted to a student or a teacher of the
law. To the Mohammedans of India and Persia, as to the Chinese, white is
the emblem of mourning. In India, orange signifies devotion or pious
resignation, and blue means ill-luck to the Hindoo.
Red was the favorite color of the Gauls, purple of the Romans, and
saffron of the Greeks.
II
RUG-WEAVING IN EGYPT, PERSIA, AND TURKEY
RUG-WEAVING IN EGYPT
The supply of skins having been found inadequate to the gratification of
their desire for comfort, the ancient Egyptians gradually developed the
art of making mats from papyrus, a plant as important to them as any of
our trees, fibrous grasses, or hemp are to us. While at work on the
manufacture of these mats, the weavers used to squat on the ground. They
became skilful, both in constructing the fabric and arranging the
colors; the latter were quite bright and effective, being chiefly red,
blue, yellow, and green, with black and white to define.
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