Russia -- Description and travel; Russia -- Social life and customs
“Your book has changed much in my conception of life. I was too Martha.
These last two years of captivity have been a pilgrimage for me though
I have stayed in one place. Still I console myself by thinking that
if I am suffering others also are, when I should, on the contrary,
remember that what happens to me happens to no one else.
“I have just been told that my translations may not be sent out of
Germany, but I hear that one book will soon appear in Russia. It will
be good for Russians to read it now.
“You are right saying that we shall be mad with joy at our relief. I
cannot yet feel myself free spiritually in prison, and for me the
body’s freedom is still the greatest thing on earth, but I think of
the day of deliverance as something so remote and so beautiful that I
compare it with our resurrection from death.”
VIII
RUSSIAN LITERATURE IN 1916
I READ, as ever, a great number of contemporary Russian books,
spent many hours in bookshops, and it may not be out of place to give
my impression of the literature of the hour.
Undoubtedly the great emotional impulse of the opening of the war
in Russia has passed. This is reflected very clearly in current
literature. The flood of printed lectures, war-pamphlets, and poems has
ceased. Volumes of war stories are no longer printed, and indeed the
war as a literary topic has become of minor interest. In the clearance
it is now possible to observe the great desolation which the war has
wrought. There is a strange silence in Russia. What was before the war
has passed; what shall be after has not begun to be. There is as yet no
promise of the future anywhere.
Not that books have not been published in 1916. They have been
published thickly, despite the absence of genius, the scarcity of
paper, and the supposed dearth of readers. Fonvisin gets into her
eighteenth thousand with “Innocent and Yet to Blame,” and “The Keys of
Happiness” goes into the sixth sequel. “The End of the War,” a novel
by Lef Zhdanof, runs through several editions. “Russian Master,” an
enthralling yellow-back of 470 pages by Lappo-Danilevsky, is reprinted
many times. The translation of the novels of W. J. Locke flood over
every bookseller’s counter and railway station book-stall. New books
are certainly as plentiful as ever. But they are mostly interim
volumes whose object is to pass the time away till the clamour of the
war be over.
Public-domain text, read in full here on John Shaqi.
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